Costume: Fanciful, Historical and Theatrical — John Shaqi
Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
Jane Seymour's coronation dress was of her faithless spouse's favourite
material, cloth of gold; all his wives seem to have been obliging enough
to yield to his fancy for this extravagance, and this poor lady's choice
was decorated with a raised design of embroidery and pearls, and the
stomacher beneath was thickly encrusted with jewels, while her surcoat
was of purple velvet bordered with ermine and embroidered with gold, and
a jewelled velvet caul was on her head. Anne of Cleves endeavoured to
popularise the Dutch fashion of a gown without a train, and she was as
much a failure in this as in her other ambitions. Catharine Parr, the
last of the noble six, had a gown of cloth of gold made with a sleeve
quite tight at the shoulder, bordered at the elbow with fur, and showing
beneath a slashed and puffed under-sleeve, finished by a small ruffle at
the wrist.
Mary inherited her father's love of splendour and costly apparel, and her
favourite head-dress was of cloth of gold, and her gowns were generally
of velvet trimmed with fur and jewelled. Elizabeth devoted herself to
fashion in a frank, whole-hearted way that brooked no half-measures,
and amongst her terrors of death must have been parting with her gowns,
for she died possessed of no fewer than three thousand dresses. What a
harvest for the ladies-in-waiting or the dealers of the day to gather!
Her crimson locks she piled high up in curls and puffs, surmounted by
crowns of jewels, and her sleeves and hooped skirts were padded into
diamond design traced with embroidery, and every point would hold a
pendent jewel. She showed no desire to achieve grace or elegance below
the waist; nothing more entirely unbecoming to the feminine figure can be
imagined than the tight, hard, flat, narrow bodice terminating in a point
at the front, cut off at the waist on the hips, above the monstrously
distended petticoat. The over-part of the dress and the skirt beneath
it were boned and wired, and tight lacing ruled in an injurious degree,
though the enormous sleeves, ruffles, and skirts might well have accorded
such an effect of slimness as to render stringent measures unnecessary.
Dress was a magnificent affair altogether; velvet and taffeta and fine
scarlet cloth were used, lace played its part bravely, and silken scarves
fringed with gold and silver were thrown over the shoulders, with deep
capes of satin or velvet edged with lace. Every shape and length of
garment obtained, and the only extravagance from which dress did not
suffer was in the _décolletage_, which was narrow and straight and of
dimensions eminently decent.
[Illustration: A TRIO OF RUFFS.]
[Illustration: QUEEN ELIZABETH IN FULL DRESS.]
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