Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
There was sorry opportunity for any who would have liked to stamp
individuality on their costume. Style was a cut-and-dried affair,
and save in the elaboration or simplicity of adornment variety was
practically without the pale. There was but subtle distinction between
the form of the tunic and the stola, yet perchance in the deftness of
the adjustment of the drapery of the toga and the exact position of the
girdle, taste could play some part. But the world of costume was a dull
table-land exalted to a scene of battle only when the stringent laws
relating to extravagances were liberally disregarded. It seems to have
been a custom throughout the ages for some historian, ruler, or priest
to interfere with the existing facts of fashion. One can find traces of
such want of sympathy even in the eighteenth century. The Roman laws were
arbitrary, and Numa actually forbade any woman to have more than half an
ounce of gold on her robes, while he also prohibited the garment of many
colours. It is pleasing, however, to realise that his strictures were not
taken very seriously.
The one sartorial fact with which my youthful mind was burdened was that
the earliest Britons stained their tattooed bodies with woad. Chroniclers
are not in accord as to the precise shade of this blue dye, proving that
the habits of chroniclers change but little, since fashion-writers of
to-day may be accused of like conduct; and as woad is more correctly
described as an undress uniform than as an article of clothing, I will
not now discuss the question of its exact colour, but note contentedly
that all authorities agree that the Britons clad themselves in skins
decorated with beads and flowers, which, in conjunction with their
painted and punctured persons, lent them a ferocious aspect, quite
attractive.
Much as Boadicea detested the Romans, she preferred their graceful
garments to those worn by her own countrywomen, and when she led her
troops into battle, she was attired in all the glory of a multi-coloured
tunic, and her hair fell unbound over her neck and shoulders. Wily
Boadicea, her unbound hair proved the woman in the warrior, who would win
her triumph as best she could, though history is careful not to attribute
to her any but the most legitimate methods!
Public-domain text, read in full here on John Shaqi.
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