In those days the Roman women made a rule of wearing a toga, which, hanging from the neck or the head, fell over the shoulders and touched the ground at the back. The toga was either white or yellow for persons of rank, when the border was purple, but the lower orders had the toga dyed, and in times of mourning chose it in black. Within doors the toga was discarded altogether in favour of the simple tunic, which was worn with or without the girdle, and made either of woollen material or cotton or thin gauze. Towards the latter part of the Empire the tunic was lengthened, and bore sleeves adorned with buttons according to Hellenic fashion; indeed, the sleeve seemed then, as now, to indicate style, for the earlier types reached only to the elbow, and gradually they extended to the wrist, and finally to the ground. When the stola became popular it was always white, bearing long sleeves ornamented with a wide border, and over it fell a mantle with a hood round the shoulders. White was the favourite colour for a long time, and even in those days the Gauls inspired the fashions. They taught the Britons to spin and weave and dye, and purple and scarlet herb dyes were employed with considerable success, though the chief colouring matter was woad. The Roman women allowed their taste in colour to run riot, and purple, scarlet, green, yellow, hyacinth, and blue were all in favour, as well as chequered materials. The foot-gear at this period was of two kinds, either reaching to the middle of the leg and covering the whole foot, or only protecting the sole of the foot and being secured by leather thongs. Women's shoes were but little less costly than those worn by the men, and were gay with ornament of gold set with pearls and other precious stones. [Illustration: A HAND-MIRROR.] [Illustration: A HAND-MIRROR.] Jewellery was a great feature; ear-rings, bracelets, armlets, torques and necklaces, and rings of gold, silver, and baser metals, were often set with precious stones, or engraved with the portrait of some dear friend or the representation of some historical event. Such rings, being used for sealing letters and documents, would usually be bequeathed by a Roman on his death-bed to his nearest friend. Ear-rings were a very favourite form of adornment, and three or four would dangle picturesquely from each ear, but only women and boys wore them. The wearing of rings, however, was general. Iron, copper, and ivory played their part in the making of the bracelets, and in the long pins for the hair, which were decorated with massive heads mostly significant, including such odd designs as a fish bearing in its mouth two precious stones, and a hanging basket with a greedy bird pecking at its floral contents. The serpent found his way to favour as an armlet and again as a diadem. The Greeks, indeed, were fond of adorning their garments with beasts and birds, which they embroidered or wove in gold and silver and coloured threads.