Country Life in Canada Fifty Years Ago: Personal recollections and reminiscences of a sexagenarianHaight, Canniff
History
Country Life in Canada Fifty Years Ago: Personal recollections and reminiscences of a sexagenarian
Haight, Canniff
Frontier and pioneer life -- Ontario; Ontario -- Social life and customs
languid sort of thing, toned down by modern refinement to a sliding,
easy motion round the room, and which, for the lack of conversational
accomplishments, is made to do duty for want of wit. Full of life and
vigour, they danced for the real fun of the thing. The quick and
inspiriting strains of the music sent them spinning round the room, and
amid the rush and whirl of the flying feet came the sharp voice of the
fiddler as he flourished his bow: "Right and left--balance to your
pardner--cross hands--swing your pardner--up and down the middle," and
so on through reel after reel. Some one of the boys would perform a
_pas seul_ with more energy than grace; but it was all the same--
the dancing master had not been abroad; the fiddler put life into their
heels, and they let them play. Frequently there was no musician to be
had, when the difficulty was overcome by the musical voices of the
girls, assisted with combs covered with paper, or the shrill notes of
some expert at whistling. It often happened that the old people objected
to dancing, and then the company resorted to plays, of which there was a
great variety: "Button, button, who's got the button;" "Measuring Tape;"
"Going to Rome;" "Ladies Slipper;" all pretty much of the same
character, and much appreciated by the boys, because they afforded a
chance to kiss the girls.
Some of our plays bordered very closely on a dance, and when our
inclinations were checked, we approached the margin of the forbidden
ground as nearly as possible. Among these I remember one which afforded
an opportunity to swing around in a merry way. A chair was placed in the
centre of the room, upon which one of the girls or boys was seated. Then
we joined hands, and went dancing around singing the following
refrain:--
There was a young woman sat down to sleep,
Sat down to sleep, sat down to sleep;
There was a young woman sat down to sleep,
Heigh-ho! Heigh-ho! Heigh-ho!
There was a young man to keep her awake,
To keep her awake, to keep her awake;
There was a young man to keep her awake,
Heigh-ho! Heigh-ho-! Heigh-ho!
Tom Brown his name shall be,
His name shall be, his name shall be;
Tom Brown his name shall be,
Heigh-ho! Heigh-ho! Heigh-ho!
Whereupon Mr. Brown was expected to step out, take the girl by the hand,
salute her with a kiss, and then take her seat. Then the song went on
again, with variations to suit; and thus the rustic mazurka proceeded
until all had had a chance of tasting the rosy lips, so tempting to
youthful swains. Often a coy maiden resisted, and then a pleasant
scuffle ensued, in which she sometimes eluded the penalty, much to the
chagrin of the claimant.
CHAPTER III.
PROGRESS, MATERIAL AND SOCIAL--FONDNESS OF THE YOUNG FOR DANCING--
MAGISTERIAL NUPTIALS--THE CHARIVARI--COON-HUNTING--CATCHING A TARTAR--
WILD PIGEONS--THE OLD DUTCH HOUSES--DELIGHTS OF SUMMER AND WINTER
CONTRASTED--STILLED VOICES.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account