Creative Impulse in Industry: A Proposition for EducatorsMarot, Helen
Science
Creative Impulse in Industry: A Proposition for Educators
Marot, Helen
Business and education -- United States; Technical education -- United States; Working class -- Education -- United States
As a human experience, the act of creating, the process of fabricating
wealth, has been at different times as worthy of celebration as the
possession of it. Before business enterprise and machine production
discredited handwork, art for art's sake, work for the love of work,
were conceivable human emotions. But to-day, a Cezanne who paints
pictures and leaves them in the field to perish is considered by the
general run of people, in communities inured to modern industrial
enterprise, as being not quite right in his head. Their estimate is
of course more or less true. But such valuations are made without the
help of creative inspiration, although the functioning of a product
has its creative significance. The creative significance of a product
in use, as well as an appreciation of the act of creating, would
be evident if modern production of wealth, under the influence of
business enterprise and machine technology, had not fairly well
extinguished the appreciation and the joy of creative experience in
countries where people have fallen under its influence so completely
as in our own.
It is usual in economic considerations to credit the period of
craftsmanship as a time in the evolution of wealth production that was
rich in creative effort and opportunity for the individual worker.
The craftsmanship period is valued in retrospect for its educative
influence. There was opportunity then as there is not now for the
worker to gain the valuable experience of initiating an idea and
carrying the production of an article to its completion for use and
sale in the market; there was the opportunity then also as there is
not now, for the worker to gain a high degree of technique and a
valuation of his workmanship. It is characteristic of workmanship that
its primary consideration is serviceability or utility. The creative
impulse and the creative effort may or may not express workmanship
or take it into account. Workmanship in its consideration of
serviceability oftentimes arrives at beauty and classic production,
when creative impulse without the spirit of workmanship fails. The
craftsmanship period deserves rank, but the high rank which is given
it is due in part to its historical relation to the factory era which
followed and crushed it. While craftsmanship represented expansive
development in workmanship, it is not generally recognized that
the Guild organization of the crafts developed modern business
enterprise.[A] Business is concerned wholly with utility, and not like
workmanship, with standards of production, except as those standards
contain an increment of value in profits to the owners of wealth. It
was during the Guild period that business came to value workmanship
because it contained that increment. In spite of business interest,
however, the standard of workmanship was set by skilled craftsmen, and
their standards represented in a marked degree the market value of the
goods produced by them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account