Creative Impulse in Industry: A Proposition for EducatorsMarot, Helen
Science
Creative Impulse in Industry: A Proposition for Educators
Marot, Helen
Business and education -- United States; Technical education -- United States; Working class -- Education -- United States
The economic organization of modern society though built on the
common people's productive energy has discounted their _creative
potentiality_. We hold to the theory that men are equal in their
opportunity to capture and own wealth; that their ability in that
respect is proof of their ability to create it; a proof of their
inherent capacity. It is a proof, as a matter of fact, of their
ability to compete in the general scheme of capture; their ability to
exploit wealth successfully. While the prevailing economic _theory_ of
production takes for granted men's creative _potentiality_ there is no
provision in our industrial institution for the common run of men to
_function_ creatively. There is no attempt in the general scheme for
trueing-up or estimating the creative ability of workers. In the
market, where the value of goods is determined, a machine tender has a
better chance than a craftsman. The popular belief is that the ability
of workers has native limitations, that these limitations are absolute
and that they are fixed at or before birth. This belief is a tenet
among those who hold positions of industrial mastery. Managers
of industry for instance who control a situation and create an
environment, demand that those who serve them meet the requirements
which they have fixed. They do not recognize that industrial ability
depends largely on the opportunity which an individual has had to make
adjustments to his surroundings and on his opportunity to master them
through experiment. A factory employee is required to do a piece of
work; and he does it, not because he is interested in the process or
the object, but because his employer wants it done.
In Anglo-Saxon and Teutonic countries, where people have fallen most
completely under the influence of machine production and business
enterprise, and where they have lost by the way their conception
of their creative potentiality, work is universally conceived as
something which people endure for the sake of being "paid off." Being
paid off, it seems abundantly clear, is the only reason a sane man can
have for working. After he is paid off the assumption is his pleasure
will begin. A popular idea of play is the absence of work, the
consumption of wealth, being entertained. Being entertained indeed
is as near as most adult men in these countries come to play. Their
Sundays and holidays are depressing occasions, shadowed by a forlorn
expectancy of something which never comes off.
Public-domain text, read in full here on John Shaqi.
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