Note by translator.--Well-known games or chance, played by the lower classes. The police specially endeavor to stop them, but unsuccessfully. He would throw his hard and oft-scourged body on the grass beside the teacher, and, turning his eyes round and scratching his head, would ask in a hoarse, bass voice, "May I?" Then appeared Pavel Solntseff, a man of thirty years of age, suffering from consumption. The ribs of his left side had been broken in a quarrel, and the sharp, yellow face, like that of a fox, always wore a malicious smile. The thin lips, when opened, exposed two rows of decayed black teeth, and the rags on his shoulders swayed backward and forward as if they were hung on a clothes pole. They called him "Abyedok." He hawked brushes and bath brooms of his own manufacture, good, strong brushes made from a peculiar kind of grass. Then followed a lean and bony man of whom no one knew anything, with a frightened expression in his eyes, the left one of which had a squint. He was silent and timid, and had been imprisoned three times for theft by the High Court of Justice and the Magisterial Courts. His family name was Kiselnikoff, but they called him Paltara Taras, because he was a head and shoulders taller than his friend, Deacon Taras, who had been degraded from his office for drunkenness and immorality. The Deacon was a short, thick-set person, with the chest of an athlete and a round, strong head. He danced skilfully, and was still more skilful at swearing. He and Paltara Taras worked in the wood on the banks of the river, and in free hours he told his friend or any one who would listen, "Tales of my own composition," as he used to say. On hearing these stories, the heroes of which always seemed to be saints, kings, priests, or generals, even the inmates of the dosshouse spat and rubbed their eyes in astonishment at the imagination of the Deacon, who told them shameless tales of lewd, fantastic adventures, with blinking eyes and a passionless expression of countenance. The imagination of this man was powerful and inexhaustible; he could go on relating and composing all day, from morning to night, without once repeating what he had said before. In his expression you sometimes saw the poet gone astray, sometimes the romancer, and he always succeeded in making his tales realistic by the effective and powerful words in which he told them. There was also a foolish young man called Kuvalda Meteor. One night he came to sleep in the dosshouse, and had remained ever since among these men, much to their astonishment. At first they did not take much notice of him. In the daytime, like all the others, he went away to find something to eat, but at nights he always loitered around this friendly company till at last the Captain took notice of him. "Boy! What business have you here on this earth?" The boy answered boldly and stoutly: "I am a barefooted tramp. . . ."