Cremorne and the later London gardens — John Shaqi
Cremorne and the later London gardensWroth, Warwick William
History
Cremorne and the later London gardens
Wroth, Warwick William
London (England) -- History -- 1800-1950; Parks -- England -- London
The banks of the New River at this time—and, indeed, till near the middle
of the nineteenth century—were lined with tall poplars and graceful
willows, and were frequented by anglers, young and old. Hood, in his
_Walton Redivivus_ (1826), describes Piscator fishing near the
Myddelton’s Head without either basket or can, sitting there (as Lamb
expresses it) like Hope, day after day, ‘speculating on traditionary
gudgeons.’ The covering in of the New River in 1861–1862 ended the
Sadler’s Wells angling for ever.
The house was the favourite haunt of the Sadler’s Wells company, and old
Rosoman, the proprietor of the theatre; Maddox, the wonderful man who
balanced a straw while dancing on the wire; Harlequin Bologna, Dibdin,
and Jo. Grimaldi, smoked many a pipe in its long room or in an arbour in
the garden. In the fifties, a parlour denominated the ‘Crib’ was set
apart for certain choice spirits, who, according to Mr. E. L. Blanchard,
were so uncommonly select that they demanded ‘an introduction and a fee’
from all newcomers.
The tavern, having fallen into decay, was replaced in 1831 by a plain,
ugly building, surmounted by a bust of Myddelton. The ‘grounds,’ chiefly
from the twenties to the fifties, formed a miniature tea-garden with
‘boxes,’ shrubs, and flowers. They were improved in 1852 by Deacon, who
succeeded Edward Wells as proprietor. The house, which stood at the west
end of Myddelton Place, close to Thomas Street and opposite Arlington
Street, was swept away for the formation of Rosebery Avenue.
[Pinks’s _Clerkenwell_, pp. 406–408; Hone’s _Every Day Book_, 1826, p.
344; Partington’s _Views of London_, ii., p. 186 (showing the later
tavern); Blanchard’s _Life_, i., p. 83 _f._; _Theatrical Journal_, 1852,
p. 237 (_cf._ p. 376); a drawing of the tavern by C. H. Matthews, 1849,
in _Crace Catalogue_, No. 93, p. 594.]
THE PANARMONION GARDENS, KING’S CROSS
THE formation of the pleasure-garden that we know as Earl’s Court out of
the coal-yards of the North End Road has a parallel in the origin of some
ephemeral gardens which arose at Battle Bridge (King’s Cross) on or near
the site of mountainous heaps of dust and ashes. The place was recalled
by the ‘Literary Dustman’ when he sang:
‘My dawning genus fust did peep
Near Battle Bridge, ’tis plain, sirs;
You recollect the cinder-heap
Vot stood in Gray’s Inn Lane, sirs.’
Public-domain text, read in full here on John Shaqi.
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