Critical Miscellanies (Vol. 3 of 3), Essay 1: On Popular Culture — John Shaqi
Critical Miscellanies (Vol. 3 of 3), Essay 1: On Popular CultureMorley, John
History
Critical Miscellanies (Vol. 3 of 3), Essay 1: On Popular Culture
Morley, John
Literature -- History and criticism
To pass on to the more general remarks which you are accustomed to
expect from the President of the Institute on this occasion. When I
consulted one of your townsmen as to the subject which he thought
would be most useful and most interesting to you, he said: 'Pray talk
about anything you please, if it is only not Education.' There is a
saying that there are two kinds of foolish people in the world, those
who give advice, and those who do not take it. My friend and I in this
matter represent these two interesting divisions of the race, for in
spite of what he said, it is upon Education after all that I propose
to offer you some short observations. You will believe it no
affectation on my part, when I say that I shall do so with the
sincerest willingness to be corrected by those of wider practical
experience in teaching. I am well aware, too, that I have very little
that is new to say, but education is one of those matters on which
much that has already been said will long bear saying over and over
again.
I have been looking through the Report of your classes, and two things
have rather struck me, which I will mention. One of them is the very
large attendance in the French classes. This appears a singularly
satisfactory thing, because you could scarcely do a hard-working man
of whatever class a greater service than to give him easy access to
French literature. Montesquieu used to say that he had never known a
pain or a distress which he could not soothe by half an hour of a good
book; and perhaps it is no more of an exaggeration to say that a man
who can read French with comfort need never have a dull hour. Our own
literature has assuredly many a kingly name. In boundless riches and
infinite imaginative variety, there is no rival to Shakespeare in the
world; in energy and height and majesty Milton and Burke have no
masters. But besides its great men of this loftier sort, France has a
long list of authors who have produced a literature whose chief mark
is its agreeableness. As has been so often said, the genius of the
French language is its clearness, firmness, and order; to this
clearness certain circumstances in the history of French society have
added the delightful qualities of liveliness in union with urbanity.
Now as one of the most important parts of popular education is to put
people in the way of amusing and refreshing themselves in a rational
rather than an irrational manner, it is a great gain to have given
them the key to the most amusing and refreshing set of books in the
world.
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