Critical Miscellanies (Vol. 3 of 3), Essay 1: On Popular CultureMorley, John
History
Critical Miscellanies (Vol. 3 of 3), Essay 1: On Popular Culture
Morley, John
Literature -- History and criticism
And here, perhaps, I may be permitted to remark that it seems a pity
that Racine is so constantly used as a school-book, instead of some of
the moderns who are nearer to ourselves in ideas and manners. Racine
is a great and admirable writer; but what you want for ordinary
readers who have not much time, and whose faculties of attention are
already largely exhausted by the more important industry of the day,
is a book which brings literature more close to actual life than such
a poet as Racine does. This is exactly one of the gifts and charms of
modern French. To put what I mean very shortly, I would say, by way of
illustration, that a man who could read the essays of Ste. Beuve with
moderate comfort would have in his hands--of course I am now speaking
of the active and busy part of the world, not of bookmen and
students--would, I say, have in his hands one of the very best
instruments that I can think of; such work is exquisite and
instructive in itself, it is a model of gracious writing, it is full
of ideas, it breathes the happiest moods over us, and it is the most
suggestive of guides, for those who have the capacity of extensive
interests, to all the greater spheres of thought and history.
This word brings me back to the second fact that has struck me in your
Report, and it is this. The subject of English history has apparently
so little popularity, that the class is as near being a failure as
anything connected with the Midland Institute can be. On the whole,
whatever may be the ability and the zeal of the teacher, this is in my
humble judgment neither very surprising nor particularly mortifying,
if we think what history in the established conception of it means.
How are we to expect workmen to make their way through constitutional
antiquities, through the labyrinthine shifts of party intrigue at
home, and through the entanglements of intricate diplomacy
abroad--'shallow village tales,' as Emerson calls them? These studies
are fit enough for professed students of the special subject, but such
exploration is for the ordinary run of men and women impossible, and I
do not know that it would lead them into very fruitful lands even if
it were easy. You know what the great Duke of Marlborough said: that
he had learnt all the history he ever knew out of Shakespeare's
historical plays. I have long thought that if we persuaded those
classes who have to fight their own little Battles of Blenheim for
bread every day, to make such a beginning of history as is furnished
by Shakespeare's plays and Scott's novels, we should have done more to
imbue them with a real interest in the past of mankind, than if we had
taken them through a course of Hume and Smollett, or Hallam on the
English Constitution, or even the dazzling Macaulay. What I for one
should like to see in such an institution as this, would be an attempt
to compress the whole history of England into a dozen or fifteen
lectures--lectures of course accompanied by catechetical instruction.
Public-domain text, read in full here on John Shaqi.
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