_The Rev. Dr. Folliott_.—Gentlemen, you will never settle this controversy till you have first settled what is good for man in this world; the great question, _de finibus_, which has puzzled all philosophers. If the enchanter has represented the twelfth century too brightly for one, and too darkly for the other of you, I should say, as an impartial man, he has represented it fairly. My quarrel with him is, that his works contain nothing worth quoting; and a book that furnishes no quotations, is _me judice_, no book—it is a plaything. There is no question about the amusement,—amusement of multitudes; but if he who amuses us most is to be our enchanter κατ’ ἐξοχὴν, then my enchanter is the enchanter of Covent Garden. CHAPTER X. THE VOYAGE, CONTINUED. Continuant nostre routte, navigasmes par trois jours _sans rien descouvrir_.—RABELAIS. “THERE is a beautiful structure,” said Mr. Chainmail, as they glided by Lechlade church; “a subject for the pencil, Captain. It is a question worth asking, Mr. Mac Quedy, whether the religious spirit which reared these edifices, and connected with them everywhere an asylum for misfortune, and a provision for poverty, was not better than the commercial spirit, which has turned all the business of modern life into schemes of profit and processes of fraud and extortion. I do not see, in all your boasted improvements, any compensation for the religious charity of the twelfth century. I do not see any compensation for that kindly feeling which, within their own little communities, bound the several classes of society together, while full scope was left for the development of natural character, wherein individuals differed as conspicuously as in costume. Now, we all wear one conventional dress, one conventional face; we have no bond of union but pecuniary interest; we talk anything that comes uppermost for talking’s sake, and without expecting to be believed; we have no nature, no simplicity, no picturesqueness: everything about us is as artificial and as complicated as our steam-machinery: our poetry is a kaleidoscope of false imagery, expressing no real feeling, portraying no real existence. I do not see any compensation for the poetry of the twelfth century.” _Mr. Mac Quedy_.—I wonder to hear you, Mr. Chainmail, talking of the religious charity of a set of lazy monks and beggarly friars, who were much more occupied with taking than giving; of whom those who were in earnest did nothing but make themselves and everybody about them miserable with fastings and penances, and other such trash; and those who were not, did nothing but guzzle and royster, and, having no wives of their own, took very unbecoming liberties with those of honester men. And as to your poetry of the twelfth century, it is not good for much. _Mr. Chainmail_.—It has, at any rate, what ours wants, truth to nature and simplicity of diction.