Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
Transcribed from the 1895 Jarrold and Sons edition by David Price, email
ccx074@pglaf.org. Many thanks to Norfolk and Norwich Millennium Library,
UK, for kindly allowing their copy to be used for this transcription.
“This is the condition of humanity; we are placed as it were in an
intellectual twilight where we discover but few things clearly, and
yet we see enough to tempt us with the hope of making better and more
discoveries.”—BOLINGBROKE.
Crying for the Light
or Fifty Years Ago
* * * * *
J Ewing Ritchie
Author of ‘East Anglia’
* * * * *
Vol 2
* * * * *
London: Jarrold and Sons
Warwick Lane E.C.
1895
CONTENTS OF VOL. II.
CHAPTER PAGE
XI. THE STRUGGLES OF A SOUL 1
XII. IN LOW COMPANY 30
XIII. CONCERNING SAL 54
XIV. AN ENCOUNTER 73
XV. ELECTIONEERING 94
XVI. ELECTIONEERING AGAIN 114
XVII. QUIET TALKS 138
XVIII. THE IRISH PRASTE 176
XIX. WENTWORTH RETIRES 195
XX. A STORM BREWING 212
XXI. AN UNPLEASANT RENCONTRE 232
CHAPTER XI.
THE STRUGGLES OF A SOUL.
There comes to us all a time when we seek something for the heart to rely
on, to anchor to, when we see the hollowness of the world, the
deceitfulness of riches; how fleeting is all earthly pleasure, how great
is the need of spiritual strength, how, when the storm comes, we require
a shelter that can defy its utmost force. Out of the depths the heart of
man ever cries out for the living God. The actress Rose felt this as
much amid the glare of life and the triumphs of the stage as the monk in
his cloister or the hermit in his desert cell. Like all of us, in whom
the brute has not quenched the Divine light which lighteth everyone who
cometh into the world, she felt, as Wordsworth writes:
‘The world is too much with us, late and soon;
Getting and spending we lay waste our power.
Little we see in Nature that is ours;
We have given our hearts away a sordid boon.’
Public-domain text, read in full here on John Shaqi.
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