Crying for the Light; Or, Fifty Years Ago. Vol. 3 [of 3]Ritchie, J. Ewing (James Ewing)
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Crying for the Light; Or, Fifty Years Ago. Vol. 3 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
Sir Watkin lingered to enjoy the loveliness of the rural scene and the
freshness of the morning air. For awhile something even of sentiment
filled his heart. What had he done that all that lovely landscape should
he his? How could he have lived as he had in London and Paris, in Vienna
or Rome? Was it true that there was a God, as they told him in church,
and as he had learned on his mother’s knee—who had given him all these
things richly to enjoy, and would demand, sooner or later, an account of
his stewardship? Then he looked at the glass, and was shocked as he saw
how bloodshot were his eyes, how dark the skin underneath; how clear were
the lines marked by dissipation on his cheek and brow.
Well, it was time he settled down. He had not behaved well to his first
wife, he admitted, but that was no reason why be should not treat his
second wife well. Then he was little better than a lad—now he was a man
who had seen something of the world and who knew the value of peace and
quietness. And so resolving, he dismissed his man and undressed.
Even then sleep was shy in coming. He had a puzzle to distract him to
which he could find no answer. What had that old tipsy female at the
cattle-show got to tell him?—what was the secret she pretended to have in
her possession? Was the mystery ever to be solved? He had seen in her
something to remind him of a girl who had once been in his service, but
it could not be her. Surely she had not become what he saw. Sir Watkin
forgot that the beauty of a woman, when she takes to drink and low
company, is of a very evanescent character.
Sleep—Nature’s restorer, balmy sleep—how hard it is to get when you want
it! The morrow was to be an important day. It was to decide his fate.
The fair guest had looked lovingly on him as she left the drawing-room.
There was something in the way in which her hand lingered in his own that
suggested to the Baronet hope. The worldly-minded father was, at any
rate, safe, and was prepared to invest handsomely in a titled son-in-law.
He, the latter, had been of late in a somewhat shady state; there were
many whispers about him in society, and not to his credit. It was clear
that in certain transactions, like other young and foolish scions
(considering how they are brought up it is almost impossible for them to
be otherwise), he had suffered considerable pecuniary loss—or, in other
words, been uncommonly well fleeced. Stately dames who ruled in
Belgravia did not seem to him as genial as formerly; doors that were once
opened freely were now closed. Low Radical newspapers occasionally
hinted that he was no credit to the class who neither toil nor spin. It
even began to dawn on the Baronet that his career had not been a
brilliant one.
Public-domain text, read in full here on John Shaqi.
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