Crying for the Light; Or, Fifty Years Ago. Vol. 3 [of 3] — John Shaqi
Crying for the Light; Or, Fifty Years Ago. Vol. 3 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 3 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
‘Take no notice of him. Refer him to your lawyer in London. The path of
duty is very clear. We find ourselves, by a merciful interposition of
Providence, restored to our rightful position in society. You to take
your place as the head of one of the old county families, I to still
labour for my blessed Master in a sphere of increased usefulness. You
owe it to your family to at once take possession of the title and estate,
and not to have a moment’s delay.’
‘But,’ said the Colonel, ‘if there should be a grain of truth in this
cock-and-bull story it might be awkward. I should like to have an
inquiry made about this boy.’
‘Pray, do nothing of the kind. You only open the way to fraud and
imposition. Your late brother never treated us fairly. He was often
positively rude to me, and his son—if this boy is such—has no claims on
us.’
‘Well,’ said the Colonel, ‘I should not like to behave shabbily.’
‘What do you mean, Colonel?’ said the lady indignantly. ‘I am not the
one to recommend you to do that. The boy is no concern of ours. We take
what the law gives us. It is a duty we owe to society to do that. I am
aware,’ added the lady, ‘that Sir Watkin had a son, that the infant was
stolen, and that the dead body was placed in the family vault. Not all
the lawyers in London, and they are bad enough, can upset that.’
‘But suppose the wrong child was buried?’
‘Fiddle-de-dee!’ said the lady. ‘We know better than that. The estates
are fairly ours, and we return to England as soon as we can to take our
rights. Mr. Wentworth and his wife between them have concocted this
villainous story, which no decent person would ever think of believing.’
Wentworth and his wife were quite aware of that; they believed in the
boy, who was—to judge from the family portraits—a striking representation
of the deceased Baronet at his time of life. But would the world believe
it? that was the question to be asked.
Poor Sally on her deathbed had no inducement to tell a lie.
Unfortunately, she had kept her secret too long. She had hoped to have
made a harvest of the boy, but death had come to her, and all her hopes
had ended in the grave. As is often the case, she was too clever by
half.
Public-domain text, read in full here on John Shaqi.
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