Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
Harmonides, a young flute-player, on his first appearance at the games
wishing to _astonish_ the audience, began by giving such a tremendous
blast on his instrument, that he expired on the spot, probably having
burst a blood vessel, and having literally blown himself out with his
first note. The audience was probably astonished.
The sacred games next in importance, were the Pythian. These games were
at first celebrated by the Delphians, every ninth year, but about 590 B.
C., the Amphyctions (another Grecian tribe) obtained the control of
them, and instituted them every fifth year. They took place on a plain
near Delphi, and were in honor of Apollo, commemorating his victory over
the serpent Python; the good principle defeating the evil principle, as
in Egyptian, and most other mythologies. Pindar’s odes have celebrated
the victories at some of these games. Being dedicated to Apollo, it was
but natural that music, (under this head, the Greeks understood most of
the accomplishments of the muses,) should play the most important part.
Religious poems were chanted, with an accompaniment upon the lyre or
phorminx. The first poet-musicians who gained the prize were
Chrysothemis,[22] Philammon, an earlier poet-musician than Homer, and
Thamyris. According to Pausanius, all these singers were probably
priests of Apollo. The Amphyctions first established prizes for songs
with flute accompaniment, and for flute _solos_. Cephallon obtained a
prize for songs accompanied by Kithara, a small lyre, and Echembrotus
one for songs with flute, while Sacadas of Argos took the prize three
consecutive times for his flute solos. After him came Pythocritus of
Sicyon, who won the prize at these games six consecutive times, which
covers an interval of _thirty years_ of triumphs.
Athletic sports also were introduced later. The prizes were, as at
Olympia, wreaths only.
The use of the flute both as solo instrument, and as accompaniment, was
however, soon abolished, it being used as funeral music, and for dirge
playing among the Amphyctions, and therefore having too many melancholy
associations to allow of its use in these festive games. Finally _solos_
on the small lyre (kithara) were allowed prizes.
It is said that at one of these contests a flute player gained the prize
in a singular manner. He was playing the straight flute, when the reed
in the mouth-piece became closed by accident, on which he instantly
changed the position of his instrument, and played it as an _oblique_
flute; his presence of mind was rewarded, by winning the prize.
The Nemean games were commemorative of the slaying of the Nemean lion,
by Hercules. There was no musical contest in the games, but flutes were
used, to stimulate the athletes, and were probably allowed prizes.
The Isthmian games celebrated upon the Isthmus of Corinth, whence their
name, were similar to the Nemean; music not being of any importance in
them.
Public-domain text, read in full here on John Shaqi.
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