Folklore; Manners and customs; Mythology; Religion
They take a certaine portion of the most fruitefull of the
Mays that growes in their farmes, the which they put in a
certaine granary which they do calle Pirua, with certaine
ceremonies, watching three nightes; they put this Mays in the
richest garments they have, and, being thus wrapped and
dressed, they worship this Pirua, and hold it in great
veneration, saying it is the Mother of the Mays of their
inheritances, and that by this means the Mays augments and is
preserved. In this moneth they make a particular sacrifice,
and the witches demand of this Pirua, 'if it hath strength
sufficient to continue until the next yeare,' and if it
answers 'no,' then they carry this Mays to the farme to
burne, whence they brought it, according to every man's
power, then they make another Pirua, with the same
ceremonies, saying that they renue it, to the ende that the
seede of the Mays may not perish.
The idea that the maize can speak need not surprise us; the Mexican
held much the same belief, according to Sahagun:--
It was thought that if some grains of maize fell on the
ground he who saw them lying there was bound to lift them,
wherein, if he failed, he harmed the maize, which plained
itself of him to God, saying, 'Lord, punish this man, who saw
me fallen and raised me not again; punish him with famine,
that he may learn not to hold me in dishonour.'
Well, in all this affair of the Scotch kernababy, and the Peruvian
_Mama cora_, we need no explanation beyond the common simple ideas of
human nature. We are not obliged to hold, either that the Peruvians
and Scotch are akin by blood, nor that, at some forgotten time, they
met each other, and borrowed each other's superstitions.[13] Again,
when we find Odysseus sacrificing a black sheep to the dead,[14] and
when we read that the Ovahereroes in South Africa also appease with a
black sheep the spirits of the departed, we do not feel it necessary
to hint that the Ovahereroes are of Greek descent, or have borrowed
their ritual from the Greeks. The connection between the colour black,
and mourning for the dead, is natural and almost universal.
Public-domain text, read in full here on John Shaqi.
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