Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriagesScott, Robert P. (Robert Pittis)
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Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriages
Scott, Robert P. (Robert Pittis)
Bicycles; Cycling; Tricycles
“Among the many thousands of riders in this country, says the
_Irish Cyclist_, very few have any desire to improve their style or
realize for a moment the vast importance of correct ankle-motion.
You meet a rider plodding along, working his legs like pistons,
with a heavy, lifeless motion. Remonstrate with him, and see what
he will say: ‘Oh, he can go well enough; he does not believe
ankle-action makes such a difference, and he does not want to
“scorch” in any case.’ Now, we want our readers to grasp these
facts. Any rider can acquire a tolerable ankle-action by careful
practice, and the acquisition of such will increase his power by
nearly one-fourth, and will enable him to ride hills never before
attempted, and to keep up a better pace at the expense of the same
amount of energy. This being so, the acquisition of such art should
be a _sine quâ non_ to every rider. That it is so can very easily
be proved. In following the pedal the foot describes a complete
circle. Suppose the circle to be divided into eight segments, taken
in order from the highest point.[5] With a rider who does not use
his ankles, force is applicable only through segments 1, 2, 3,
4, and in segments 1 and 4, the force not being applied at right
angles to the end of the crank, a large proportion is wasted, and
consequently it is only thoroughly effective through segments 2
and 3, or during one-fourth of the revolution. The rider who has
mastered the mysteries of ankle-action will drop his heel as the
pedal approaches the highest point, and he can apply a certain
amount of force through segment 8. After passing the so-called dead
point, his heel being still dropped, the force is applied at right
angles to the crank, or nearly so, and consequently he can utilize
his full power through segment 1. By rapidly straightening the
ankle when entering segment 2 an additional impetus is imparted,
and, as before, full power can be applied through segments 2 and 3.
Entering segment 4, the heel should be raised and the pedal clawed
backward, and this clawing action will enable the rider to work
past the dead point and well through segment 5. Consequently, the
man who rides with his ankles stiff can only work through segments
1, 2, 3, 4, or half the whole circumference, and his work is
thoroughly effective only through segments 2 and 3, or one-fourth
the circumference, whereas the man who utilizes his ankles can
work through segments 8, 1, 2, 3, 4, and 5, or two-thirds the
whole circumference, and his work is thoroughly effective through
segments 1, 2, 3, and 4, or one-half the whole circumference.
The advantage gained in the latter case is self-evident. The
acquisition of the art is often tedious and troublesome, but if
cyclists only knew the enormous increase of power which results
they would not be content until they had mastered it. From the
Public-domain text, read in full here on John Shaqi.
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