Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriagesScott, Robert P. (Robert Pittis)
History
Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriages
Scott, Robert P. (Robert Pittis)
Bicycles; Cycling; Tricycles
A little printer’s ink will answer the last sentence of our quotation.
Simply change the words “lever-action,” and substitute “cranks,” and
you will have the following: “A special set of muscles can be trained
to such work as the use of cranks, but such development is abnormal and
at the expense of other parts of the body.” So the reader can see how
a little slip in the type would have changed the whole argument. This
discussion could be continued with great interest to both sides if we
could only find in some maker’s catalogue of lever machines an attempt
to “down” the crank machine on general principles. As it is, it must
close for lack of antagonism in so far as broad principle goes.
As to the construction of crank machines, the subject is so familiar
to every one, and the device is so simple, that it is impossible to
write much of an essay on it. With regard to levers, however, the
subject is inexhaustible. The most salient features claimed for the
clutch machines now in the market are, first, non-dead centre,—that
is, even, continuous power; second, entire rest of the legs when
power is not required. The objections are chiefly, first, insecurity
and entire dependence on the brake found in the absence of all back
pedalling; second, non-support of the legs, springs being insufficient
to sustain their weight. To the above objections appertaining to the
lever and clutch machine, a third may be added,—viz., the complexity
of parts, liability to breakage, and danger of accidents therefrom. At
one time the advantage of safety was found in the clutch machine almost
exclusively, but at the present time we have complete safety elements
in certain forms of crank-wheels.
Public-domain text, read in full here on John Shaqi.
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