Cyrus Hall McCormick: His Life and WorkCasson, Herbert Newton
History
Cyrus Hall McCormick: His Life and Work
Casson, Herbert Newton
Harvesting machinery; McCormick, Cyrus Hall, 1809-1884
Such was the making of the first practical Reaper in the history of the
world. It was as clumsy as a Red River ox-cart; but _it reaped_. It was
made on right lines. The "new principle" that the youth McCormick
laboriously conceived in the little log workshop became the basic type
of a wholly new machine. It has never been displaced. Since then there
have been 12,000 patents issued for reaper and mower inventions; but not
one of them has overthrown the type of the first McCormick Reaper. Not
one of the seven factors that he assembled has been thrown aside; and
the most elaborate self-binder of to-day is a direct descendant of the
crude machine that was thus created by a young Virginian farmer in
1831.
The young inventor toiled "laboriously," he says, to complete his Reaper
in time for the harvest of 1831. He was very nearly too late, but a
small patch of wheat was left standing at his request; and one day in
July, with no spectators except his parents and his excited brothers and
sisters, Cyrus put a horse between the shafts of his Reaper, and drove
against the yellow grain. The reel revolved and swept the gentle wheat
downwards upon the knife. Click! Click! Click! The white steel blade
shot back and forth. The grain was cut. It fell upon the platform in a
shimmering golden swath. From here it was raked off by a young laborer
named John Cash. It was a roughly done specimen of reaping, no doubt.
The reel and the divider worked poorly. But for a preliminary test it
was a magnificent success. Here, at last, was a Reaper that reaped, the
first that had ever been made in any country.
The scene of this first "reaping by horse-power" was then, and is
to-day, one of unusual beauty. The field is near by the farm-house,
rolling in several undulations to the rim of a winding little rivulet.
In the centre of the field is a single tree, a wide-branched white oak,
which was probably born before the first colonists arrived at Jamestown.
And in the background, not more than two miles distant, rise the tall
and jagged crags of the Blue Ridge, twelve sharp peaks flung high from
deep ravines, on which the lights and shades are incessantly
changing,--a most impressive staging for the first act of the drama of
the Reaper.
Public-domain text, read in full here on John Shaqi.
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