In the light of what has just been said, we may perhaps be justified in doubting whether the most perfect presentation of ideas—or at any rate the most surely effective—does not involve of necessity the use of those faculties with which we are at present concerned. “Without a sense of humour,” it is often said, “no man can be a perfect Saint.” Surely it is equally true to say that the same quality is essential for a really great man of letters, be he Essayist, Historian or Poet. One more question before we come to Dante himself. What about the age and place in which the Poet lived? Were the Italians of Dante’s time devoid of the spirit of mirth and of the power to express it? Boccaccio and Sacchetti, the _Novellino_, nay, even the Franciscan Legend with its _Jaculatores Domini_, and not least the charming _Fioretti_, cry out with one voice against the unjust imputation. But one single name would be enough to vindicate for the Italy of Dante’s elder contemporaries, and for the men who figure largely in Dante’s writings, the possession of the sense of humour and the gift of wit. Fra Salimbene of Parma, the immortal gossip, who so dearly loves a joke, and is so ready to pardon other failings in the man who has “a pretty wit.” He peoples the world into which Dante Alighieri was born with folk whose joy of laughter and rollicking sense of fun match in their intensity the sternness, cruelty, savagery of those strange days. And to Florence he accords the palm for wit and humour,[96] though not in the strict Aristotelian sense; for Salimbene’s Florentines are far from being always seemly and decorous in their jests. The mirthful spirit that pervades the pages of Salimbene recalls indeed most forcibly a passage of Aristotle to which we have not yet referred, and a definition of _urbanitas_ (εὐτραπελία) which, if slightly mysterious, is the most epigrammatic and the most suggestive of all his utterances on the subject. “The young,” he says in the second book of the _Rhetoric_, “are laughter-loving, and therefore witty, for wittiness is πεπαιδευμένη ὕβρις....[97]” How shall we render it? “A disciplined ‘cheek,’” an “educated insolence!” The riotous, effervescent self-assertion of the Middle Ages, outcome of abundant vitality, offered splendid raw material for the manufacture of _urbanitas_. The uncontrollable vivacity which vented itself in the field of life sometimes in horseplay or in huge practical jokes; too often in fighting and bloodshed; which vented itself in the field of Art in the fantastically contorted and quaintly humorous subjects of the illuminations with which even sacred MSS. were adorned, and in the carving of grotesque figures in wood or stone— Come, per sostentar solaio o tetto Per mensola tal volta una figura Si vede giugner le ginocchia al petto;[98]