Among all his studies was one which evidently had a great attraction for him, even in the early days of the _Vita Nuova_, before learning had become a passion. Astronomy appealed to many sides of his nature. The beauty of the skies stirred his imagination; their suggestive symbolism touched his religious sense; the harmony of the celestial movements and the accuracy with which they can be foretold delighted his instinct for order and precision. He must have read, and perhaps possessed, some of the best text-books then available, and he grasped with singular clearness the phenomena observed and the theories taught in his day. His works are full of allusions to astronomy. In the _Vita Nuova_ he finds pleasure in connecting the story of his lady with the revolutions of the spheres; in the _Convivio_ he teaches the elements of the science; in the Vision of the _Divine Comedy_ he journeys through the universe as it was depicted by mediæval astronomers; and throughout his works are scattered similes drawn from celestial phenomena and descriptions of “le belle cose che porta il ciel.”[1] ------------------------------------------------------------------------ [1] “The fair things that Heaven holds.” Inferno XXXIV. 137, 138. ------------------------------------------------------------------------ Therefore, for full enjoyment and understanding of Dante’s works it is necessary to have a rudimentary knowledge of astronomy. Many of his readers think that Dante’s astronomy is very complicated and difficult to understand. What makes it seem difficult is that in this age we are generally unfamiliar with the skies. We do not eat our breakfast or go to our office by the sun, nor do we watch the stars to see when grouse-shooting begins or the summer holidays end. If it is important for us to know at what hour the sun sets and lamps must be lighted, or if we wish to see a view by moonlight, we consult an almanac. When we think at all of the movements of the heavenly bodies, our notions are usually taken from diagrams and tables, not from what is actually seen in the skies. We only think, for instance, of the seasons as caused by the earth’s journey round the sun, and the tilt of her axis: therefore, when Dante speaks of Venus as a Morning Star veiling the Fishes with her rays, or the horn of the Celestial Goat touching the sun, it conveys little, although the seasons of spring and of winter are as clearly indicated as if he had spoken of the blossoming of primroses or the fall of snow. When Cacciaguida, in the heaven of Mars, tells the date of his birth by counting how many times the planet had since then returned to his Lion, those who only think of Mars as circling round the Sun, and have never traced his path among the stars, are at a loss, and think the method very far-fetched. A short description, and especially a little individual watching, of the apparent movements of the heavenly bodies, would put us in a position