What picture shall we make of him to carry with us in the scenes in which he is to be the principal actor? He was tall and stout, with the forward bearing of the orator, full of gesture and of animation. He carried a round French head upon the thick neck of energy. His face was generous, ugly, and determined. With wide eyes and calm brows, he yet had the quick glance which betrays the habit of appealing to an audience. His upper lip was injured, and so was his nose,[29] and he had further been disfigured by the small-pox, with which disease that forerunner of his, Mirabeau, had also been disfigured. His lip had been torn by a bull when he was a child, and his nose crushed in a second adventure, they say, with the same animal. In this the Romans would perhaps have seen a portent; but he, the idol of our Positivists, found only a chance to repeat Mirabeau’s expression that his “boar’s head frightened men.” In his dress he had something of the negligence which goes with extreme vivacity and with a constant interest in things outside oneself; but it was invariably that of his rank. Indeed, to the minor conventions Danton always bowed, because he was a man, and because he was eminently sane. More than did the run of men at that time, he understood that you cut down no tree by lopping at the leaves, nor break up a society by throwing away a wig.[30] The decent self-respect which goes with conscious power was never absent from his costume, though it often left his language in moments of crisis, or even of irritation. I will not insist too much upon his great character of energy, because it has been so over-emphasised as to give a false impression of him. He was admirably sustained in his action, and his political arguments were as direct as his physical efforts were continuous, but the banal picture of fury which is given you by so many writers is false. For fury is empty, whereas Danton was full, and his energy was at first the force at work upon a great mass of mind, and later its momentum. Save when he had the direct purpose of convincing a crowd, his speech had no violence, and even no metaphor; in the courts he was a close reasoner, and one who put his points with ability and with eloquence rather than with thunder. But in whatever he undertook, vigour appeared as the taste of salt in a dish. He could not quite hide this vigour: his convictions, his determination, his vision all concentrate upon whatsoever thing he has in hand.