Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
But late into the darkness, in the room of death, unnoticed, unasked
for, Britannicus and Octavia mingled their sad tears and their
low whispers of anguish, beside the rapidly blackening corpse of
the father who had been the lord of the world. Yesterday--though
his impudent freedmen had for years been selling, plundering, and
murdering in his name--two hundred millions of mankind had lifted up
their eyes to him as the arbiter of life and death, of happiness and
misery. By to-morrow nothing would be left but a handful of ashes
in a narrow urn. Of all who had professed to love and to adore
him, not one was there to weep for him except these two; for their
half-sister, Antonia, had been content merely to see the corpse, and
had then retired. No one witnessed their agony of bereavement, their
helplessness of sorrow, except the dark-dressed slave who tended
the golden censer which filled the death chamber with the fumes of
Arabian incense. And for them there was no consolation. The objects
of their nominal worship were shadowy and unreal. The gods of the
heathen were but idols, of whom the popular legends were base and
foolish. Such gods as those had no heart to sympathise, no invisible
and tender hand to wipe away their orphan tears.
CHAPTER VII
_SENECA AND HIS FAMILY_
‘Palpitantibus præcordiis vivitur.’--SENECA, _Ep._ lxxii.
‘Sæculo premimur gravi,
Quo scelera regnant.’
ID. _Octav._ act. ii.
If there was one man in all Rome whom the world envied next to the
young Emperor, or even more than the Emperor himself, it was his
tutor, Seneca. He was the leading man in Rome. By the popular critics
of the day his style was thought the finest which any Roman had
written, though the Emperor Gaius, in one of his lucid intervals,
had wittily remarked that it was ‘sand without lime.’ His abilities
were brilliant, his wealth was immense. In all ordinary respects
he was innocent and virtuous--he was innocence and virtue itself
compared with the sanguinary oppressors and dissolute Epicureans
by whom he was surrounded on every side.
Public-domain text, read in full here on John Shaqi.
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