But his whole life and character were ruined by the attempt to achieve an impossible compromise, which disgraced and could not save him. A philosopher had no place in the impure Court of the Cæsars. To be at once a Stoic and a minister of Nero was an absurd endeavour. Declamations in favour of poverty rang hollow on the lips of a man whose enormous usury poured in from every part of the Empire. The praises of virtue sounded insincere from one who was living in the closest intercourse with men and women steeped in unblushing wickedness. And Seneca was far from easy in his own mind. He was surrounded by flatterers, but he knew that he was not ranked with patriots like Pætus Thrasea, and genuine philosophers like Cornutus and Musonius Rufus. Unable to resist temptations to avarice and ambition, he felt a deep misgiving that the voice of posterity would honour their perilous independence, while it spoke doubtfully of his endless compromises. Yet he might have been so happy! His mother, Helvia, was a woman who, in the dignity of her life and the simplicity of her desires, set an example to the matrons of Rome, multitudes of whom, in the highest circles, lived in an atmosphere of daily intrigue and almost yearly divorce. His aunt, Marcia, was a lady of high virtue and distinguished ability. His wife, Paulina, was tender and loving. His pretty boy, Marcus, whose bright young life was so soon to end, charmed all by his mirthfulness and engaging ways. His gardens were exquisitely beautiful, and he never felt happier than when he laid aside his cares and amused himself by running races with his little slaves. His palace was splendid and stately, and he needed not to have burdened himself with the magnificence which gave him no pleasure and only excited a dangerous envy. It would have been well for him if he had devoted his life to literature and philosophy. But he entered the magic circle of the Palace, and with a sore conscience was constantly driven to do what he disapproved, and to sanction what he hated. Short as was the time which had elapsed since the death of Claudius, he was already aware that in trying to control Nero he was holding a wolf by the ears. Some kind friend had shown him a sketch, brought from Pompeii, of a grasshopper driving a griffin, and he knew that, harmless as it looked, the griffin was meant for himself and the grasshopper for Nero. Men regarded him as harnessed to the car of the frivolous pupil whom he was unable to control.