Days and Nights in London; Or, Studies in Black and GrayRitchie, J. Ewing (James Ewing)
History
Days and Nights in London; Or, Studies in Black and Gray
Ritchie, J. Ewing (James Ewing)
London (England) -- Social conditions; London (England) -- Social life and customs
means crowded, but there was a good deal of the rough element at the
back, to which, in the course of the evening’s amusement, the chairman
had more than once to appeal. From the arrangements made around me, it
was evident that there was the same provision which I have remarked
elsewhere for the drinking habits of the people. There was a side bar at
which the actors and actresses occasionally appeared on their way to or
from the stage, and affably drank with their friends and admirers. The
other day I happened to hear a thief’s confession, and what do you think
it was? That it was his mingling with the singers off the stage that had
led to his fall. He was evidently a smart, clever, young fellow, and had
thought it a sign of his being a lad of spirit to stand treat to such
people. Of course he could not afford it, and, of course, he had a fond
and foolish mother, who tried to screen him in his downward career. The
result was he embezzled his employer’s money, and, when that was
discovered, imprisonment and unavailing remorse were the result. To the
imagination of raw lads there is something wonderfully attractive in the
music-hall singer, as, with hat on one side and in costume of the loudest
character, and with face as bold as brass, he sings, “Slap, bang! here we
are again!” or takes off some popular theatrical performer or some
leading actor on a grander stage. On the night in question one singer
had the audacity to assume as much as possible the character of the
Premier of our day, not forgetting the long gray coat by which the Earl
of Beaconsfield is known in many quarters. Comic singing, relieved by
dancing, seemed to be the staple amusement of the place, and when one of
the female performers indecently elevated a leg, immense was the
applause. All the while the performances were going on, the waiters were
supplying their customers with drink, and one well-dressed
woman—evidently very respectable—managed a couple of glasses of grog in a
very short while. But mostly the people round me were quiet topers, who
smoked and drank with due decorum, and who seemed to use the place as a
kind of club, where they could sit comfortably for the night, and talk
and listen, and smoke or drink, at their pleasure. It is hardly
necessary to say that the majority of the audience were young men. The
attendance was not crowded. Perhaps in the east of London the pressure
of bad times is being felt. The mock Ethiopian element, next to the
dancing, was the feature of the evening’s amusements which elicited the
most applause. It is a curious thing that directly a man lampblacks his
face and wears a woollen wig, and talks broken English, he at once
becomes a popular favourite.
Public-domain text, read in full here on John Shaqi.
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