Days and Nights in London; Or, Studies in Black and GrayRitchie, J. Ewing (James Ewing)
History
Days and Nights in London; Or, Studies in Black and Gray
Ritchie, J. Ewing (James Ewing)
London (England) -- Social conditions; London (England) -- Social life and customs
A few nights after I found myself in quite another part of London—in a
music-hall that now calls itself a theatre of varieties. It was a very
expensive place, and fitted up in a very costly manner. You enter
through an avenue which is made to look almost Arcadian. Here and there
were little rustic nooks in which Romeo and Juliet would make love over a
cheerful glass. Flunkeys as smart almost as Lord Mayors’ footmen took
your orders. It was late when I put in an appearance, and it was useless
to try and get a seat. It was only in the neighbourhood of the
refreshment bar that I could get even standing room, and being a little
taller than some of the stunted half-grown lads around me, could look
over their heads to the gaudy and distant stage. I did not hear much of
the dialogue. Old Astley, who years before had lived in that
neighbourhood, and knew the art of catering for the people, used to
remark when the interest of the piece seemed to flag, “Cut the dialogue
and come to the ’osses,” and here the stage direction evidently was to
set the ballet-girls at work, and it seemed to me that the principal aim
of the piece was to show as many female arms and legs as was possible. I
am not of Dr. Johnson’s opinion that it is indecent for a woman to expose
herself on the stage, but I was, I own, shocked with the heroine of the
evening, whose too solid form in the lime-light—which was used,
apparently, to display all her beauties—was arrayed in a costume, which,
at a distance, appeared to be of Paradisaical simplicity, more fitted for
the dressing-room of the private mansion than for the public arena of the
stage. There was, I doubt not, animated dialogue, and the swells in the
stalls, I daresay, enjoyed it; but for my shilling I could see little,
and hear less; and weary of the perpetual flourish of female arms and
legs, I came away. What I did most distinctly hear were the orders at
the bar for pale ale and grog, and the cry of the waiter, as he pushed on
with his tray well filled, of “By your leave,” to the crowd on each
side—all of whom had, of course, a cigar or short pipe in their mouths,
and were evidently young men of the working class. That evening’s
amusement, I am sure, must have taken some two or three hundred pounds
out of their pockets. But I saw no one the worse for liquor, though the
public-houses all round were crowded with drunken men and women; for the
morrow was Sunday, and who can refuse the oppressed and over-taxed
working man his right to spend all his week’s wages on a Saturday night?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account