Days and Nights in London; Or, Studies in Black and GrayRitchie, J. Ewing (James Ewing)
History
Days and Nights in London; Or, Studies in Black and Gray
Ritchie, J. Ewing (James Ewing)
London (England) -- Social conditions; London (England) -- Social life and customs
After they had finished we had a disgustingly stout party, who was full
of praise of all conviviality, and who, while he sang, frisked about the
stage with wonderful vivacity and with as much grace as a bull in a
china-shop, or a bear dancing a hornpipe. As he sang, just behind me
there was all at once a terrible noise; the chairman had to call out
“Order,” the spectators began howling, “Turn him out;” the singer had to
stop, the roughs in the gallery began to scream and cheer, and the bars
were for a wonder deserted. In so dense a crowd it was so difficult to
see anything, that it was not at once that I discovered the cause of the
disorder; but presently I saw in one of the little pews, into which this
part of the house was divided (each pew having a small table in the
middle for the liquor) a couple of men quarrelling. All at once the
biggest of them—a very powerful fellow of the costermonger type—dealt his
opponent—a poor slim, weedy lad of the common shop-boy species—a
tremendous blow. The latter tried to retaliate, and struggled across the
table to hit his man, but he merely seemed to me to touch his whiskers,
while the other repeated his blow with tremendous effect. In vain the
sufferer tried to get out of the way; the place was too crowded, and with
a stream of blood flowing from his nose he fell, or would have fallen, to
the earth had not some of the bystanders dragged him a few yards from his
seat. Then as he lay by me drunk, or faint, or both, unable to sit up or
to move, with the blood pouring down his clothes and staining the carpet
all round, I saw, as the reader can well believe, a commentary on the
singer’s Bacchanalian song of a somewhat ironical character; but business
is business, and at the music-hall it will not do to harrow up the
feelings of the audience with such sad spectacles. Perfectly insensible,
the poor lad was carried out, while a constable was the means of inducing
his muscular and brutal-looking opponent to leave the hall. Order
restored, the stout party bounded on to the stage, and the hilarity of
the evening—with the exception of here and there a girl who, evidently
not being used to such places, was consequently frightened and pale and
faint for awhile—was as great as ever. The comic singer made no
reference to the unfortunate incident; all he could do was to say what he
had got by heart, and so he went on about the cheerful glass and the fun
of going home powerfully refreshed at an early hour in the morning, and
much did the audience enjoy his picture of the poor wife waiting for her
husband behind the door with a poker, assisting him upstairs with a pair
of tongs, and after she had got him sound asleep meanly helping herself
to what cash remained in his pocket.
Public-domain text, read in full here on John Shaqi.
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