Days and Nights in London; Or, Studies in Black and Gray — John Shaqi
Days and Nights in London; Or, Studies in Black and GrayRitchie, J. Ewing (James Ewing)
History
Days and Nights in London; Or, Studies in Black and Gray
Ritchie, J. Ewing (James Ewing)
London (England) -- Social conditions; London (England) -- Social life and customs
For my part, I candidly own I felt more inclined to sympathise with the
wife than with her husband; but the music-hall is bound to stand up for
drinking, for it is by drinking that it lives. If people cared for music
and the drama, they would go to the theatre; but that declines, and the
music-hall flourishes. Astley’s Theatre is a case in point. That has
been an old favourite with the public. At one time, I should imagine,
few places paid better—does not Ducrow sleep in one of the most
magnificent monuments in Kensal Green, and did he not make his money at
Astley’s?—but now there are two flourishing music-halls one on each side
of Astley’s, and as I write I see one of the proprietors, as a plea why
he should be given more time for the payment of a debt, admits that
sometimes they lose at Astley’s as much as forty pounds a week. If
Astley’s is to be made to pay, evidently the sooner it is turned into a
music-hall the better.
Will the London School Boards raise the character of the future public?
is a question to be asked but not to be answered in our time. The real
fact is that amusements have a deteriorating effect on the character of
those who devote themselves to them, and become more frivolous as they
become more popular. This is the case, at any rate, as regards
music-halls. A gentleman the other day, as we were speaking of one of
the most successful of them, said how grieved he was on a visit to it
lately to see the generally lowered tone of entertainment. At one time
the attempt was made to give the people really good music, and there were
selections of operas of first-rate character. Now all that is done away
with, and there is nothing but silly comic singing of the poorest kind.
In another respect also there has been a deterioration—that is, in the
increased sensationalism of the performance. A music-hall audience
requires extra stimulus—the appetite becomes palled, and if a leap of
fifty feet does not “fetch the public,” as Artemus Ward would say, why
then, the leap must be made a hundred; and really sometimes the
spectacles held up for the beery audience to admire are of the most
painful character. I have said that the doubtful female element is not
conspicuous in the music-hall—that is the case as regards those on the
outskirts of London, but the nearer you approach the West-End the less is
that the case; and there is more than one music-hall I could name which
is little better than a place of assignation and rendezvous for immoral
women, and where you may see them standing at the refreshment bars
soliciting a drink from all who pass. Such music-halls are amongst the
most successful of them all, and the proprietor reaps a golden harvest.
Public-domain text, read in full here on John Shaqi.
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