De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684) — John Shaqi
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)Rapin, René
History
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
Rapin, René
Pastoral poetry -- History and criticism; Theocritus. Idylls
Than which in my opinion nothing can be more simply; nothing more
rustically said; and this is the reason I suppose why _Macrobius_ says
that this kind of Poetry is creeping and upon mean subjects; and why
too _Virgils Tityrus_ lying under his shady Beech displeaseth some;
Excellent Criticks indeed, whom I wish a little more sense, that they
might not really be, what they would not seem to be, _Ridiculous_:
_Theocritus_ excells _Virgil_ in this, of whom _Modicius_ says,
_Theocritus deserves the greatest commendation for his happy
imitation of the simplicity of his Shepherds_, Virgil _hath mixt
Allegories, and some other things which contain too much learning, and
deepness of Thought for Persons of so mean a Quality_: Yet here I must
obviate their mistake who fancy that this sort of _Poetry_, because in
it self low and simple, is the proper work of _mean_ Wits, and not the
most _sublime_ and _excellent_ perfections: For as I think there be
can nothing more elegant than easy naked simplicity, so likewise
nothing can require more strength of Wit, and greater pains; and he
must be of a great and clear judgment, who attempts _Pastoral_, and
comes of with Honor. For there is no part of _Poetry_ that requires
more spirit, for if any part is not close and well compacted the whole
Fabrick will be ruin'd, and the {39} matter, in it self humble, must
creep; unless it is held up by the strength and vigor of the
_Expression_.
Another qualification and excellence of _Pastoral_ is to imitate
_Timanthes's_ Art, of whom _Pliny_ writes thus; _Timanthes was very
Ingenious, in all his peices more was to be understood than the
Colours express'd, and tho his Art was very extraordinary yet his
Fancy exceeded it_: In this _Virgil_ is peculiarly happy, but others,
especially raw unexperienced Writers, if they are to describe a
Rainbow, or a River, pour out their whole stock, and are unable to
contain: Now 'tis properly requisite to a Pastoral that there should
be a great deal coucht in a few words, and every thing it says should
be so short, and so close, as if its chiefest excellence was to be
spareing in Expression: such is that of _Virgil_;
These Fields and Corn shall a Barbarian share?
See the Effects of all our Civil War.
How short is that? how concise? and yet how full of sense in the same
_Eclogue_.
I wonder'd why all thy complaints were made,
Absent was _Tityrus_:
And the like you may every where meet with, as
_Mopsus_ weds _Nisa_, what may'nt Lovers hope?
and in the second _Eclogue_,
{40} Whom dost thou fly ah frantick! oft the Woods
Hold Gods, and _Paris_ equal to the Gods.
This Grace _Virgil_ learn'd from _Theocritus_, allmost most all whose
Periods; especially in the third _Idyllium_, have no conjunction to
connect them, that the sense might be more close, and the Affection
vehement and strong: as in this
Let all things change, let Pears the Firs adorn
Now _Daphnis_ dyes.
And in the third _Eclogue_.
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