De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)Rapin, René
History
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
Rapin, René
Pastoral poetry -- History and criticism; Theocritus. Idylls
But when she saw, how great was the surprize! &c.
And any one may find a great many of the like in _Theocritus_ and
_Virgil_, if with a leisurely delight he nicely examines their
delicate Composures: And this I account the greatest grace in
_Pastorals_, which in my opinion those that write _Pastorals_ do not
sufficiently observe: 'Tis true Ours (the _French_) and the _Italian_
language is to babling to endure it; This is the Rock on which those
that write _Pastorals_ in their _Mother_ tongue are usually split, But
the _Italians_ are inevitably lost; who having store of _Wit_, a very
subtle invention and flowing fancy, cannot contain; everything that
comes into their mind must be poured out, nor are they able to endure
the least restraint: as is evident from _Marinus's_ _Idylliums_, and a
great many of that nation who have ventur'd on such composures; For
unless there are many {41} stops and breakings off in the series of a
_Pastoral_, it can neither be pleasing nor artificial: And in my
Opinion _Virgil_ excells _Theocritus_ in this, for _Virgil_ is
neither so continued, nor so long as _Theocritus_; who indulges too
much the garrulity of his _Greek_; nay even in those things which he
expresseth he is more close, and more cautiously conceals that part
which ought to be dissembled: And this I am sure is a most admirable
part of Eloquence; as _Tully_ in his Epistle to _Atticus_ says, _'Tis
rare to speak Eloquently, but more rare to be eloquently silent_: And
this unskillful _Criticks_ are not acquainted with, and therefore are
wont oftner to find fault with that which is not fitly exprest, than
commend that which is prudently conceal'd: I could heap up a great
many more things to this purpose, but I see no need of such a trouble,
since no man can rationally doubt of the goodness of my Observation.
Therefore, in short, let him that writes Pastorals think brevity, if
it doth not obscure his sense, to be the greatest grace which he can
attain.
Now why _Bucolicks_ should require such Brevity, and be so
essentially sparing in _Expression_, I see no other reason but this:
It loves _Simplicity_ so much that it must be averse to that Pomp and
Ostentation which _Epick_ Poetry must show, for that must be copious
and flowing, in every part smooth, and equal to it self: But
_Pastoral_ must dissemble, and hide even that which it would {42}
show, like _Damon's_ _Galatea_, who flies then when she most desires
to be discovered.
And to the Bushes flys, yet would be seen.
And this doth not proceed from any malitious ill-natur'd Coyness, as
some imagine, but from an ingenuous modesty and bashfulness, which
usually accompanies, and is a proof of _Simplicity: Tis very rare_,
says Pliny, _to find a man so exquisitely skillful, as to be able to
show those Features in a Picture which he hides_, and I think it to be
so difficult a task, that none but the most excellent Wits can attempt
it with success: For small Wits usually abound with a multitude of
words.
Public-domain text, read in full here on John Shaqi.
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