De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684) — John Shaqi
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)Rapin, René
History
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
Rapin, René
Pastoral poetry -- History and criticism; Theocritus. Idylls
_Pastoral_, upon bare Contemplation, might seem easily to be hit, but
upon trial 'twill be found a very hard task: Nor was the difficulty to
be dissembled, lest _Ignorance_ should betray some into a rash
attempt. Now I must come to the very Rules; for as nothing excellent
can be brought to perfection without _Nature_, (for Art unassisted by
that, is vain, and ineffectual,) so there is no _Nature_ so excellent,
and happy, which by its own strength, and without _Art_ and _Use_ can
make any thing excellent, and great.
But tis hard to give _Rules_ for that, for which there have been none
already given; for where there are no footsteps nor path to direct, I
cannot tell how any one can be certain of his way. Yet in this
difficulty I will follow _Aristotle's_ Example, who being to lay down
Rules concerning _Epicks_, propos'd _Homer_ as a Pattern, from whom he
deduc'd the whole Art: So I will gather from _Theocritus_ and
_Virgil_, those Fathers of _Pastoral_, what I shall deliver on this
account. For all the Rules that are to be given of any Art, are to be
given of it as excellent, and perfect, and {53} therefore ought to be
taken from them in whom it is so.
The first Rule shall be about the _Matter_, which is either the
_Action_ of a _Shepherd_, or contriv'd and fitted to the _Genius_ of a
Shepherd; for tho _Pastoral_ is simple, and bashful, yet it will
entertain lofty subjects, if it can be permitted to turn and fashion
them to its own proper Circumstances, and Humor: which tho
_Theocritus_ hath never done, but kept close to _pastoral_ simplicity,
yet _Virgil_ hath happily attempted; of whom almost the same
_Character_ might be given, which _Quintilian_ bestow'd on
_Stesichorus_, who _with his Harp bore up the most weighty subjects
of_ Epick _Poetry_; for _Virgil_ sang great and lofty things to his
Oaten Reed, but yet suited to the Humor of a Shepherd, for every thing
that is not agreeable to that, cannot belong to _Pastoral_: of its own
nature it cannot treat of lofty and great matters.
Therefore let _Pastoral_ be smooth and soft, not noisy and bombast;
lest whilst it raiseth its voice, and opens its mouth, it meet with
the same fate that, they say, an _Italian_ Shepherd did, who having a
very large mouth, and a very strong breath, brake his Pipe as often as
he blow'd it. This is a great fault in one that writes _Pastorals_:
for if his words are too sounding, or his sense too strong, he must be
absurd, because indecently loud. And this is not the rule of an
unskilful {54} impertinent Adviser, but rather of a very excellent
Master in this _Art_; for _Phoebus_ twitcht _Virgil_ by the Ear, and
warn'd him to forbear great Subjects: but if it ventures upon such, it
may be allow'd to use some short _Invocations_, and, as _Epicks_ do,
modestly implore the assistance of a Muse. This _Virgil_ doth in his
_Pollio_, which is a Composure of an unusual loftiness:
_Sicilian_ Muse begin a loftier strain.
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