De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)Rapin, René
History
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
Rapin, René
Pastoral poetry -- History and criticism; Theocritus. Idylls
So he invocates _Arethusa_, when _Cornelius Gallus Proconsul of
Ægypt_ and his _Amours_, matters above the common reach of _Pastoral_,
are his Subject.
One Labor more O _Arethusa_ yield.
Why he makes his application to _Aretheusa_ is easy to conjecture,
for she was a _Nymph_ of _Sicily_, and so he might hope that she could
inspire him with a _Genius_ fit for _Pastorals_ which first began in
that _Island_, Thus in the seventh and eighth _Eclogue_, as the matter
would bear, he invocates the Nymphs and Muses: And _Theocritus_ does
the same,
Tell Goddess, you can tell.
From whence 'tis evident that in _Pastoral_, tho it never pretends to
any greatness, _Invocations_ {55} may be allow'd: But whatever Subject
it chooseth, it must take care to accommodate it to the Genius and
Circumstances of a Shepherd.
Concerning the Form, or mode of _Imitation_, I shall not repeat what
I have already said, _viz._ that this is in it self _mixt_; for
_Pastoral_ is either _Alternate_, or hath but _one Person_, or is
_mixt_ of both: yet 'tis properly and chiefly _Alternate_. as is
evident from that of _Theocritus_.
Sing _Rural_ strains, for as we march along
We may delight each other with a Song.
In which the _Poet_ shows that _alternate_ singing is proper to a
_Pastoral_: But as for the _Fable_, 'tis requisite that it should be
simple, lest in stead of _Pastoral_ it put on the form of a _Comedy_,
or _Tragedy_ if the _Fable_ be great, or intricate: It must be _One_;
this _Aristotle_ thinks necessary in every _Poem_, and _Horace_ lays
down this general Rule,
Be every _Fable_ simple, and but one:
For every Poem, that is not _One_, is imperfect, and this _Unity_ is
to be taken from the _Action_: for if that is _One_, the Poem will be
so too. Such is the Passion of _Corydon_ in _Virgil's_ second Eclogue,
_Meliboeus's_ Expostulation with _Tityrus_ about his Fortune;
_Theocritus's_ _Thyrsis, Cyclops_, and _Amaryllis_, of which perhaps
in its proper place I may treat more largely.
{56} Let the third Rule be concerning the _Expression_, which cannot
be in this kind excellent unless borrow'd from _Theocritus's_
_Idylliums_, or _Virgil's_ _Eclogues_, let it be chiefly simple, and
ingenuous: such is that of _Theocritus_,
A Kid belongs to thee, and Kids are good,
Or that in _Virgil's_ seventh Eclogue,
This Pail of Milk, these Cakes (_Priapus_) every year
Expect; a little Garden is thy care:
Thou'rt Marble now, but if more Land I hold,
If my Flock thrive, thou shalt be made of Gold,
than which I cannot imagine more simple, and more ingenuous
expressions. To which may be added that out of his _Palemon_,
And I love _Phyllis_, for her Charms excell;
At my departure O what tears there fell!
She sigh'd, Farewell Dear Youth, a long Farewell.
Public-domain text, read in full here on John Shaqi.
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