English fiction -- 20th century; English wit and humor; Imaginary letters; Letters in literature
The Empress Faustina is quite unlike what I had expected. There is no
trace of Imperial or any other kind of dignity about her. She is not
very tall; she has a delicate nose, slightly turned up, laughing eyes
which will surely remain eternally young, and masses of thick, curly
fair hair. I had imagined from the pictures and effigies of her that
she was dark; possibly she may have dyed it lately, but I do not think
so. She is restless in her movements; she is never still, but is always
on the move, and one has the impression that she is longing to, and
would if she dared, skip and jump about the room like a child. As it
is, her arms, and especially her hands, are never for a moment still,
and her eyes shift quickly from one person to another, smiling and
laughing. She made one feel that she was trying the whole time to be on
her best behaviour, to curb her spirits, and not to overstep the bounds
in any way, nor to do anything which would displease the Emperor or
offend his sense of etiquette and decorum.
We waited four or five minutes for the Heir Apparent, who was late.
The Emperor remarked with some acidity to the Empress that if Commodus
could not learn to be punctual he had better have his meals in his own
villa with his tutor. The Empress said that the poor boy was given such
long lessons and so many of them that he scarcely had time even to
dress; that he was overworked and a martyr to discipline.
At that moment the “poor boy” entered the room. For a boy of sixteen
he is enormous: very tall, large, and fat. He has dark hair, a low
forehead, with a thick and rebellious tuft of hair growing over it,
rather coarse features, and thick lips. He must be immensely strong,
but although you could not find a greater contrast to his pale, prim,
and dapper father, there is a strong family likeness, nevertheless.
You see at once that he is a son of Marcus Aurelius. It is as though
the gods had wished to play a huge joke, and had made in the son a
caricature, on a large scale, of the father. It is as if one saw the
caricature of the most delicate ivory statuette made in coarse clay. He
was told to salute me, which he did somewhat awkwardly.
The Empress said: “You must excuse him; he is very shy.”
Upon which I saw that he with difficulty suppressed a shout of laughter
by stuffing his fist into his mouth, while his whole body was shaking.
The Emperor did not notice this. He led the way into the dining-room,
and we all reclined.
At first there was a dead silence, and then Ummidius Quadratus, who
seems to me far the most lively member of the family, said that the
quails this year were much fatter than he had ever remembered them.
“Is that so?” said the Emperor. “The best quails I ever ate,” he added,
“were those we got near the Danube. Unfortunately, my physician does
not allow me to touch meat.”
Public-domain text, read in full here on John Shaqi.
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