If there is one voice that can be heard in archeology, and one lesson that can be specifically learned, it is the certainty of the fallacy of the theory of evolution. Egypt, as elsewhere, shows us no dim, brutish beginning, but a startling emergence of this people in a high degree of culture. No gradual ascent up the ladder of learning, but cycles of retrogression and advancement, followed by decay: then a new dawning of art and science. The entire record of archeology is thus a complete vindication of the premise and basic contention of the inspired record of God’s Word. No greater voice may be heard in our day than this definite, adamant cry from Egypt, which depicts cycles of culture that begin with a crest of learning. It must not be presumed that this condition is unique in Egypt, or peculiar to any one race or country. The same queer discrepancy between the fallacious theories of the philosophy of organic evolution and the facts of human history is observed wherever archeology has been able to hold the torch of discovery over a given area. We have illustrated, for instance, in Plates Number 6 and 7, one of the most interesting of the exhibits in the British Museum. This is a stone weapon from the archaic ages of the Chaldeans. It consists of a mace head, made of limestone. Incidentally, this was a very common type of weapon among those people in their warlike culture. The particular one that is illustrated is typical of its time. Note that it is a STONE AGE WEAPON. A note of wonder is caused in our inquiring minds by the odd and utterly incompatible fact that it is engraved clearly in high relief, thus testifying to the fact that in the archaic stone age of Babylon, men who wrought in a time when the evolutionary advocates demand a dim and brutish stage of development were already gifted in the art of sculpture! To complicate the case still further, they were possessed as well with a highly developed written language! Their stone implements are in some instances crude, as they did not spend time polishing and decorating rude tools that were used for a base purpose. Others of their artifacts, like this stone mace head, are not only covered with finely sculptured figures but are also inscribed with written characters that are clear and well executed. A “stone age” with a written culture, scholars, and books, is an anomaly, indeed!