Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
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Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
The young man thrust his kinsman’s letter in his breast, and paced the
playground slowly for some time, meditating the loss that had come
upon him. In one of the big class-rooms near at hand his pupils were
waiting for him; and there was wonderment and consternation at this
delay in the most punctual of all the masters. His tears had dropped
fast upon the letter some time ago; but his eyes were dry now. The
dull agony which filled his breast was rather a sense of desolation
than a poignant grief. He had seen and known that his mother was fading
from this troubled earth before his coming to Belgium; and poverty’s
bitterest penalty had been the necessity which had separated him from
her. The shadow of this coming sorrow had long darkened the horizon of
his young life. The sad reality had come upon him a little sooner than
he had expected it, and that was all. He bowed his head, and resigned
himself to this affliction; but there was something to which he could
not resign himself, and that was the manner of his loss.
“Alone--in a hired lodging--with a poor, ill-paid, hard-working drudge
for her sole companion and consoler! O mother, mother, you were too
bright a creature for so sad a fate!”
And then there arose before this young man’s eyes one of those pictures
which were continually haunting him--the picture of what his life and
his mother’s life might have been, had things been different with
them. He fancied himself the beloved and acknowledged son of a good
and honourable man; he fancied his mother a happy wife. Ah! then how
changed all would have been! Sickness and death would have come all
the same, perhaps, since there is no earthly barrier that can exclude
those dark visitors from happy households. They would have come, the
dreaded guests, but with how different an aspect! He made for himself
the picture of two death-beds. By one there knelt a group of loving
children, weeping silently for a dying mother, while a grief-stricken
husband suppressed all outward evidence of his sorrow, lest he should
trouble the departing spirit whose earthly tabernacle was supported
by his fond arms. And the other death-bed! Alas, how sad the contrast
between the two pictures! A woman lying alone in a dingy chamber,
abandoned and forgotten by every creature in the world except her son,
and even he away from her.
Public-domain text, read in full here on John Shaqi.
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