Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
“And for this, as well as for all the rest, we have to thank
_him_!” muttered the young man. His face, which until now had
been overshadowed only by a quiet despondency, darkened suddenly as he
said this. It was not the first time he had apostrophized a nameless
enemy in the same bitter spirit. He had very often abandoned himself
to vengeful thoughts about this unknown foe, to whose evil-doing he
attributed every sorrow of his own, and all those hidden griefs and
silent agonies so patiently endured by his mother. He kept a close
account of his mother’s wrongs, and of his own, and he set them all
against this person, whom he had never seen and whose name he might
never discover.
This nameless enemy was his father.
CHAPTER II.
A RETROSPECTIVE SURVEY.
FROM the mediæval tranquillity of Villebrumeuse to the dreary
desolation of Tilbury Crescent is a sorry change. Instead of the
quaint peaked roofs and grand old churches, the verdant avenues and
placid water, there are unfinished streets and terraces of raw-looking
brick, half-built railway-arches, chasm-like cuttings newly made in
the damp clay soil, and patches of rank greensward that mark the site
of desolated fields. The sulphurous odours of a brickfield pervade the
atmosphere about and around Tilbury Crescent. The din of a distant
high-road, the roar of many wheels, and the clamour of excited
costermongers, float in occasional gusts of sound upon the dismal
stillness of the neighbourhood, where the shrill voices of children,
playing hopscotch in an adjacent street, are painfully audible.
Decent poverty has set a seal upon this little labyrinth of streets
and squares and crescents and terraces, before the builder’s men
have left the newest of the houses, while there are still roofless
skeletons at every corner, waiting till the speculator who began them
shall have raised enough money to finish them. The neighbourhood lies
northward, and the rents of those yellow-brick tenements are cheap. So
decent poverty, in all its many guises, comes hitherward for shelter.
Newly-married lawyers’ clerks take up their abode in the eight-roomed
dwellings, and you shall divine, by the fashion of blinds and curtains,
the trim propriety of doorsteps and tiny front gardens, whether the
young householders have drawn prizes in the matrimonial lottery. Small
tradesmen bring their wares to the little shops, which break out here
and there at the corners of the streets, and struggle feebly for a
livelihood. Patient young dressmakers exhibit fly-blown fashion-plates
in parlour windows, and wait hopefully or despairingly, as the case
may be, for custom and patronage. And in more windows than the chance
pedestrian would care to count hangs the pasteboard announcement of
apartments to let.
Public-domain text, read in full here on John Shaqi.
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