Death and resurrection from the point of view of the cell-theory — John Shaqi
Death and resurrection from the point of view of the cell-theoryBjörklund, Gustaf
Religion
Death and resurrection from the point of view of the cell-theory
Björklund, Gustaf
Biology; Future life
This material is and must be the product of art. If the forces of
inorganic nature spontaneously produced sugar, starch, etc., these
substances must have the same quality as our rocks, minerals, etc., of
being products of combustion, which in such a supposed case, perhaps,
would be made burnable if transformed into water and carbonic acid. We
would obtain a creation turned upside down and analogous to a world where
the bodies we now use as weights would remain unsupported at certain
distances from our earth. If we were to use such a body as a weight in a
clock, we would have to wind it down instead of up.
Because organic compounds are products of art, living beings find
themselves obliged to direct the physical forces to destroy these
compounds or restore them to their inorganic state more speedily than
these forces would have done if left unaided. The processes of decay,
performed by micro-organisms, are as necessary in the economy of life as
the reverse processes. Otherwise the earth would soon be so covered by
corpses that life must cease simply for lack of inorganic raw material.
It is true that we might imagine living beings as adapting their
organization to this condition and for some time directly utilizing the
accumulated stores of organic matter; but such periodical interruptions
and changes would disturb the continuity of life’s evolution. To avoid
this, there is no way open to restore equilibrium except the one in which
it is now done.
No effect, whatever its nature, can exist without cause; and further,
every effect must have a sufficient cause. If, therefore, we have
established that natural forces can no more produce organisms than
steam engines, we have also proved that these things would never have
come into existence if the organic forces had been left to themselves.
Neither organisms nor engines would exist, because they have no cause
in the material world. The products of art are due not only to other
causes, but the relationship between cause and effect is also different
with them from what it is with the products of nature. Every product of
nature has its cause in a previous condition of matter. The cause goes
before and the effect comes after in time. The connection between cause
and effect is so intimate and complete with regard to natural products,
that we may trace the series of occurrences backward and forward in time
without other limitations than those imposed by a deficient knowledge of
the qualities of matter. Such a connection between cause and effect has
been termed mechanical causality, which reigns without exception in the
material world.
Public-domain text, read in full here on John Shaqi.
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