Christian fiction; Clergy -- Fiction; Historical fiction; New Mexico -- Fiction
The young architect used to tell the Bishop that only in Italy, or in
the opera, did churches leap out of mountains and black pines like that.
More than once Molny had called the Bishop from his study to look at the
unfinished building when a storm was coming up; then the sky above the
mountain grew black, and the carnelian rocks became an intense lavender,
all their pine trees strokes of dark purple; the hills drew nearer, the
whole background approached like a dark threat.
"Setting," Molny used to tell Father Latour, "is accident. Either a
building is a part of a place, or it is not. Once that kinship is there,
time will only make it stronger."
The Bishop was recalling this saying of Molny's when a voice out of the
present sounded in his ear. It was Bernard.
"A fine sunset, Father. See how red the mountains are growing; Sangre de
Cristo."
Yes, Sangre de Cristo; but no matter how scarlet the sunset, those red
hills never became vermilion, but a more and more intense rose-carnelian;
not the colour of living blood, the Bishop had often reflected, but the
colour of the dried blood of saints and martyrs preserved in old
churches in Rome, which liquefies upon occasion.
3
THE next morning Father Latour wakened with a grateful sense of nearness
to his Cathedral--which would also be his tomb. He felt safe under its
shadow; like a boat come back to harbour, lying under its own sea-wall.
He was in his old study; the Sisters had sent a little iron bed from the
school for him, and their finest linen and blankets. He felt a great
content at being here, where he had come as a young man and where he had
done his work. The room was little changed; the same rugs and skins on
the earth floor, the same desk with his candlesticks, the same thick,
wavy white walls that muted sound, that shut out the world and gave
repose to the spirit.
As the darkness faded into the grey of a winter morning, he listened for
the church bells,--and for another sound, that always amused him here;
the whistle of a locomotive. Yes, he had come with the buffalo, and he
had lived to see railway trains running into Santa Fé. He had
accomplished an historic period.
All his relatives at home, and his friends in New Mexico, had expected
that the old Archbishop would spend his closing years in France,
probably in Clermont, where he could occupy a chair in his old college.
That seemed the natural thing to do, and he had given it grave
consideration. He had half expected to make some such arrangement the
last time he was in Auvergne, just before his retirement from his duties
as Archbishop. But in the Old World he found himself homesick for the
New. It was a feeling he could not explain; a feeling that old age did
not weigh so heavily upon a man in New Mexico as in the Puy-de-Dôm.
Public-domain text, read in full here on John Shaqi.
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