He came through the glass door and crossed the room in silence to his
sisters' table. His approach--the way he held the upper part of his
body, and bent his knees, the movement of his white-shod feet--had an
extraordinary charm; he walked very lightly, at once timid and proud,
and this became still more lovely through the childish embarrassment
with which, twice as he proceeded, he turned his face towards the centre
of the room, raising and lowering his eyes. Smiling, with something
half-muttered in his soft vague tongue, he took his place; and now, as
he turned his full profile to the observer, Aschenbach was again
astonished, terrified even, by the really godlike beauty of this human
child. To-day the boy was wearing a light blouse of blue and white
striped cotton goods, with a red silk tie in front, and closed at the
neck by a plain white high collar. This collar lacked the
distinctiveness of the blouse, but above it the flowering head was
poised with an incomparable seductiveness--the head of an Eros, in
blended yellows of Parian marble, with fine serious brows, the temples
and ears covered softly by the abrupt encroachment of his curls.
"Good, good!" Aschenbach thought, with that deliberate expert appraisal
which artists sometimes employ as a subterfuge when they have been
carried away with delight before a masterwork. And he thought further:
"Really, if the sea and the beach weren't waiting for me, I should stay
here as long as you stayed!" But he went then, passed through the lobby
under the inspection of the servants, down the wide terrace, and
straight across the boardwalk to the section of the beach reserved for
the hotel guests. The barefoot old man in dungarees and straw hat who
was functioning here as bathing master assigned him to the bath house he
had rented; a table and a seat were placed on the sandy board platform,
and he made himself comfortable in the lounge chair which he had drawn
closer to the sea, out into the waxen yellow sand.
Public-domain text, read in full here on John Shaqi.
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