He was up as early as he used to be when under the driving pressure of
work, and was on the beach before most people, when the sun was still
mild and the sea lay blinding white in the dreaminess of morning. He
spoke amiably to the guard of the private beach, and also spoke
familiarly to the barefoot, white-bearded old man who had prepared his
place for him, stretching the brown canopy and bringing the furniture of
the cabin out on the platform. Then he took his seat. There would now be
three or four hours in which the sun mounted and gained terrific
strength, the sea a deeper and deeper blue, and he might look at Tadzio.
He saw him approaching from the left, along the edge of the sea; he saw
him as he stepped out backwards from among the cabins; or he would
suddenly find, with a shock of pleasure, that he had missed his coming,
that he was already here in the blue and white bathing suit which was
his only garment now while on the beach, that he had already commenced
his usual activities in the sun and the sand--a pleasantly trifling,
idle, and unstable manner of living, a mixture of rest and play. Tadzio
would saunter about, wade, dig, catch things, lie down, go for a swim,
all the while being kept under surveillance by the women on the platform
who made his name ring out in their falsetto voices: "Tadziu! Tadziu!"
Then he would come running to them with a look of eagerness, to tell
them what he had seen, what he had experienced, or to show them what he
had found or caught: mussels, sea-horses, jelly-fish, and crabs that ran
sideways. Aschenbach did not understand a word he said, and though it
might have been the most ordinary thing in the world, it was a vague
harmony in his ear. So the foreignness of the boy's speech turned it
into music, a wanton sun poured its prodigal splendour down over him,
and his figure was always set off against the background of an intense
sea-blue.
Public-domain text, read in full here on John Shaqi.
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