The following morning, as he was about to leave the hotel, he looked off
from the steps and noticed that Tadzio, who was alone and was already on
his way towards the sea, was just approaching the private beach. He was
half tempted by the simple notion of seizing this opportunity to strike
up a casual friendly acquaintanceship with the boy who had been the
unconscious source of so much agitation and upheaval; he wanted to
address him, and enjoy the answering look in his eyes. The boy was
sauntering along, he could be overtaken; and Aschenbach quickened his
pace. He reached him on the boardwalk behind the bathing houses; was
about to lay a hand on his head and shoulders; and some word or other,
an amiable phrase in French, was on the tip of his tongue. But he felt
that his heart, due also perhaps to his rapid stride, was beating like a
hammer; and he was so short of breath that his voice would have been
tight and trembling. He hesitated, he tried to get himself under
control. Suddenly he became afraid that he had been walking too long so
close behind the boy. He was afraid of arousing curiosity and causing
him to look back questioningly. He made one more spurt, failed,
surrendered, and passed with bowed head.
"Too late!" he thought immediately. Too late! Yet was it too late? This
step which he had just been on the verge of taking would very possibly
have put things on a sound, free and easy basis, and would have restored
him to wholesome soberness. But the fact was that Aschenbach did not
want soberness: his intoxication was too precious. Who can explain the
stamp and the nature of the artist! Who can understand this deep
instinctive welding of discipline and licence? For to be unable to want
wholesome soberness, is licence. Aschenbach was no longer given to
self-criticism. His tastes, the mental caliber of his years, his
self-respect, ripeness, and a belated simplicity made him unwilling to
dismember his motives and to debate whether his impulses were the result
of conscientiousness or of dissolution and weakness. He was embarrassed,
as he feared that someone or other, if only the guard on the beach, must
have observed his pursuit and defeat. He was very much afraid of the
ridiculous. Further, he joked with himself about his comically pious
distress. "Downed," he thought, "downed like a rooster, with his wings
hanging miserably in the battle. It really is a god who can, at one
sight of his loveliness, break our courage this way and force down our
pride so thoroughly. . . ." He toyed and skirmished with his emotions,
and was far too haughty to be afraid of them.
Public-domain text, read in full here on John Shaqi.
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