The author of that lucid and powerful prose epic built around the life
of Frederick of Prussia; the tenacious artist who, after long
application, wove rich, varied strands of human destiny together under
one single predominating theme in the fictional tapestry known as Maya;
the creator of that stark tale which is called The Wretch and which
pointed out for an entire oncoming generation the possibility of some
moral certainty beyond pure knowledge; finally, the writer (and this
sums up briefly the works of his mature period) of the impassioned
treatise on Art and the Spirit, whose capacity for mustering facts, and,
further, whose fluency in their presentation, led cautious judges to
place this treatise alongside Schiller's conclusions on naïve and
sentimental poetry--Gustav Aschenbach, then, was the son of a higher law
official, and was born in L----, a leading city in the Province of
Silesia. His forbears had been officers, magistrates, government
functionaries, men who had led severe, steady lives serving their king,
their state. A deeper strain of spirituality had been manifest in them
once, in the person of a preacher; the preceding generation had brought
a brisker, more sensuous blood into the family through the author's
mother, daughter of a Bohemian band-master. The traces of foreignness in
his features came from her. A marriage of sober painstaking
conscientiousness with impulses of a darker, more fiery nature had had
an artist as its result, and this particular artist.
Since his whole nature was centred around acquiring a reputation, he
showed himself, if not exactly precocious, at least (thanks to the
firmness and pithiness of his personality, his accent) ripened and
adjusted to the public at an early age. Almost as a schoolboy he had
made a name for himself. Within ten years he had learned to face the
world through the medium of his writing-table, to discharge the
obligations of his fame in a correspondence which (since many claims are
pressed on the successful, the trustworthy) had to be brief as well as
pleasant and to the point. At forty, wearied by the vicissitudes and the
exertion of his own work, he had to manage a daily mail which bore the
postmarks of countries in all parts of the world.
Public-domain text, read in full here on John Shaqi.
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