Debit and Credit: Translated from the German of Gustav Freytag — John Shaqi
Debit and Credit: Translated from the German of Gustav FreytagFreytag, Gustav
General
Debit and Credit: Translated from the German of Gustav Freytag
Freytag, Gustav
German fiction -- Translations into English; Mercantile system -- Germany -- Fiction; Social classes -- Germany -- Fiction
He now took a footpath that led through a meadow, crossed a bridge, and
found himself in a plantation with neatly-graveled paths. As he went on,
it more and more assumed the character of a garden; a sudden turn, and
he stood on a grass-plot, and saw a gentleman's seat, with two side
towers and a balcony, rise before him. Vines and climbing roses ran up
the towers, and beneath the balcony was a vestibule well filled with
flowers. In short, to our Anton, brought up as he had been in a small
town, it all appeared beauteous and stately in the extreme. He sat down
behind a bushy lilac, and gave himself up to the contemplation of the
scene. How happy the inhabitants must be! how noble! how refined! A
certain respect for every thing of acknowledged distinction and
importance was innate in the son of the accountant; and when, in the
midst of the beauty around him, his thoughts reverted to himself, he
felt utterly insignificant, a species of social pigmy scarcely visible
to the naked eye.
For some time he sat and looked in perfect stillness; at last the
picture shifted. A lovely lady came out on the balcony clad in light
summer attire, with white lace sleeves, and stood there like a statue.
When a gay paroquet flew out of the room and lighted on her hand,
Anton's admiration went on increasing; but when a young girl followed
the bird, and wound her arms around the lovely lady's neck, and the
paroquet kept wheeling about them, and perching now on the shoulder of
one, and then on that of the other, his feeling of veneration became
such that he blushed deeply, and drew back further into the lilac-tree's
shadow.
Then, with his imagination filled by what he had seen, he went with
elastic step along the broad walk, hoping to find a way of exit.
Soon he heard a horse's feet behind him, and saw the younger of the two
ladies come riding after him, mounted upon a black pony, and using her
parasol as a whip. Now the ladies of Ostrau were not in the habit of
riding. He had, indeed, once upon a time, beheld a professional
equestrian with very red cheeks and flowing garments, and had
unspeakably admired her, but now the same feeling was far more intense.
He stood still and bowed reverentially. The young girl acknowledged his
homage by a gracious nod, pulled up her horse, and asked whether he
wished to speak to her father.
"I crave your pardon," replied Anton, with the deepest respect;
"probably I am in a path not open to strangers. I came across the
meadow, and saw no gate and no hedge."
"The gate is on the bridge; it is open by day," said the young lady,
with great benignity, for reverence was not the sentiment her fourteen
years often inspired, and she was the more pleased therewith. "But,
since you are in the garden," continued she, "will you not look around?
We shall be very glad if it give you pleasure."
"I have already taken that liberty," replied Anton, with another bow. "I
have been on the lawn before the castle: it is magnificent."
Public-domain text, read in full here on John Shaqi.
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