Decadence, and Other Essays on the Culture of Ideas — John Shaqi
Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
the Jewish demagogues. Thus understood, the idea of justice appears
contaminated at once by hatred and by envy. It no longer retains
anything of its original meaning, and one cannot attempt its analysis
without danger of being duped by the vulgar meaning of the words.
Yet, with a little care, it would be seen that the depreciation of
this useful term arose originally from a confusion between the idea
of right and the idea of punishment. The day when justice came to
mean sometimes criminal justice, sometimes civil justice, the world
confused these two practical notions, and the teachers of the people,
incapable of a serious effort of disassociation, have come to magnify
a misunderstanding which, moreover, serves their own interests. The
real idea of justice appears then, finally, as quite non-existent in
the very word which figures in the human vocabulary. This word resolves
itself, on analysis, into elements which are still very complex, and
among which may be distinguished the idea of right and the idea of
punishment. But there is so much that is illogical in this curious
coupling, that we should be inclined to doubt the accuracy of our
operation, did not the social facts furnish its proof.
We might here examine this question: do abstract words really exist for
the people, for the average man? Probably not. It would even seem as if
the same word attained only graduated stages of abstraction, according
to the degree of intellectual culture. The pure idea is more or less
contaminated by concern for personal, caste or group interests, and
the word justice, for example, thus clothes all sorts of particular
and limited meanings under the weight of which its supreme sense
disappears, overwhelmed.
The moment an idea is disassociated and it enters thus, quite
naked, into circulation, it begins to pick up, in the course of its
wanderings, all sorts of parasitic vegetations. Sometimes the original
organism disappears entirely, devoured by the egoistic colonies which
develop in it. A very amusing example of the way in which ideas are
thus deflected was recently given by the corporation of house-painters,
at the ceremony called the "Triumph of the Republic." These workmen
carried a banner on which their demands for social justice were summed
up in the cry: "Down with Ripolin!" The reader should know that Ripolin
is a prepared paint which anyone can apply, in order to understand the
full sincerity of this slogan as well as its artlessness. Ripolin here
represents injustice and oppression. It is the enemy, the devil. We
all have our ripolin with which we colour, according to our needs, the
abstract ideas which otherwise would be of no personal use to us.
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