Man-woman relationships -- Fiction; Villages -- Fiction; Virginia -- Fiction
Julie’s father boasted largely of the things he meant to do in the
business way, but always as the table boarders increased, the customers
in the shop decreased, until finally, when Julie was ten or eleven, the
shop was closed altogether, and her father had gone across the State
line into West Virginia, to work in the lumber camps. There he made
good money, for people said that Emmet Rose was a mighty fine hand in
the woods; and he himself bragged that he could drop a tree within a
foot of any spot he named. Thereafter, with the money coming regularly
from the lumber camp, Mrs. Rose gave up most of the table boarders, and
so had leisure to do fancy sewing, and to make pretty, sober little
clothes for Julie. The stitches in them were exquisite and sincere,
but she never dressed Julie in bright colors. “No, I don’t like bright
colors,” she was wont to say.
“But why, mother? Why?” Julie questioned.
“They’re so gay--” her mother hesitated; “I--I don’t know, but someway
I don’t think they’re respectful to the Lord.”
Thereafter Julie went in fear of a jealous surveillance from on high.
God became somewhat confused in her child mind with a chicken hawk.
“Grandmaw Rose,” who had a little farm on the top of Slatty Mountain,
said she didn’t hold with white chickens: they was too easy a mark
for the hawk. This seemed to accord with her mother’s fear of bright
colors. Apparently, up there in the wide stretches of the deep sky
that Julie had always liked, there lurked a terrifying Power that
might pounce dreadfully at any moment. Evidently the safest way to get
through life was to slip by as unnoticed as possible, clad, if one were
a chicken, in speckled gray feathers that faded easily from sight in
the grass; or; if one were a little girl, ordering one’s self in the
same humble and unobtrusive manner.
Julie felt worried about her father, there was so little of the
discreet coloration about him. His necktie, when he wore one, could be
seen half a mile, an easy mark for hawk or deity. His friends described
him as a great big two-fisted Jim-bruiser of a man. He was boastful
and loud, and would come roaring down the river with the log drives in
spring, boisterous, gay, and apparently unafraid. During the summer
months, when he was in Hart’s Run, their reserved little house rocked
with his Homeric laughter, accompanying great stories of “Tony Beaver”
who lives up “Eel River,”--where all the impossible things of the West
Virginia lumber camps happen,--who is blood brother to “Paul Bunyan”
of the Northern woods and who owns a yoke of oxen so big it takes a
crow a week to wing the distance between the horns of one of them. But
just because of his recklessness and daring laughter, Julie adored her
father. Those were good days on the whole--her mother and herself snug
and well provided for in the village, building up a gentle home-life,
with the lumber-jack’s big personality off in the woods to roof it over
securely.
Public-domain text, read in full here on John Shaqi.
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