It was now an hour until noon and in order to pass it, he went
diagonally across the street into the Casa del Fauno, the most extensive
and magnificent of all the excavated houses. Like no other, it possessed
a double inner court and showed, in the larger one, on the middle of the
ground, the empty base on which had stood the famous statue of the
dancing faun after which the house had been named. Yet there stirred in
Norbert Hanold not the least regret that this work of art, valued highly
by science, was no longer here, but, together with the mosaic picture of
the Battle of Alexander, had been transferred to the Museo Nazionale in
Naples; he possessed no further intention nor desire than to let time
move along, and he wandered about aimlessly in this place through the
large building. Behind the peristyle opened a wider room, surrounded by
numerous pillars, planned either as another repetition of the peristyle
or as an ornamental garden; so it seemed at present for, like the
dining-room of the Casa di Meleagro, it was completely covered with
poppy-blooms. Absent-mindedly the visitor passed through the silent
dereliction.
Then, however, he stopped and rested on one foot; but he found himself
not alone here; at some distance his glance fell upon two figures, who
first gave the impression of only one, because they stood as closely as
possible to each other. They did not see him, for they were concerned
only with themselves, and, in that corner, because of the pillars, might
have believed themselves undiscoverable by any other eyes. Mutually
embracing each other, they held their lips also pressed together, and
the unsuspected spectator recognized, to his amazement, that they were
the young man and woman who had last evening seemed to him the first
congenial people encountered on this trip. For brother and sister, their
present position, the embrace and the kiss, it seemed to him had lasted
too long. So it was surely another pair of lovers, probably a young
bridal couple, an Augustus and Gretchen, too.
Strange to relate, however, the two latter did not, at the moment, enter
Norbert’s mind, and the incident seemed to him not at all ridiculous nor
repulsive, rather it heightened his pleasure in them. What they were
doing seemed to him as natural as it did comprehensible; his eyes clung
to the living picture, more widely open than they ever had been to any
of the most admired works of art, and he would have gladly devoted
himself for a longer time to his observation. Yet it seemed to him that
he had wrongfully penetrated into a consecrated place and was on the
point of disturbing a secret act of devotion; the idea of being noticed
there struck terror to his heart, and he quickly turned, went back some
distance noiselessly on tiptoe and, when he had passed beyond hearing
distance, ran out with bated breath and beating heart to the Vicolo del
Fauno.
* * * * *
Public-domain text, read in full here on John Shaqi.
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