"We were talking," he writes, "of Aspendius the harp-player, and
the question came up as to the meaning of _intus canere_ and
_extra canere_, when you suddenly drew forth from your pouch a
copy of your Adages, just printed at Venice. From that moment I
began to admire the genius and learning of Erasmus, and scarce
ever have I heard mention of his name without recalling that
conversation almost with reverence. My witness is Richard Pace,
that man most learned himself and by nature made to be the
promoter of the studies of the most learned men."
Only a few days were spent at Ferrara and still less time at Bologna.
The party reached Siena at the very end of 1508 or the beginning
of 1509, and there settled definitely for the work of the young
archbishop. We have a very engaging picture of Erasmus as a teacher
of rhetoric in his comments upon the Adage, "Thou wast born at
Sparta; do honour to it."[78] He represents his pupil as a model of
all the virtues and gives us again an insight into his method of
teaching. It is always the same which he had himself employed in
learning, the method of persistent practice in repeating and writing
the language itself. A style was to be formed only by becoming
absolutely familiar with the classic model.
[78] ii., 554.
Yet the life at Siena, serene and charming as it may have been
for the pupil, was, if we may judge by his expressions in other
connections, more or less a bore to the master. He liked to think of
himself as an authority on the art of teaching, but he seems always
to have regarded teaching as being, for himself, an interruption to
the higher interests of his life. After a few weeks he was restless
again, and begged permission of his pupil to go on alone to Rome.
[Illustration: CARDINAL REGINALD POLE.
FROM "ERASMI OPERA," PUBLISHED AT LEYDEN, 1703.]
Public-domain text, read in full here on John Shaqi.
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