VI Development of Conventional Ornament.....254 Outline Drawing, p. 254--Undesirable Realism, p. 255--Craft Restrictions, p. 256--Materialistic Influence, p. 258--Early Renderings, p. 261--The Anthemion, p. 262--Greek Sculptured Ornament, p. 263--The Acanthus Leaf, p. 264--Roman Development--The Scroll, p. 266--Græco-Roman--Byzantine, p. 267--Romanesque--Gothic--Italian Renaissance, p. 268--The Husk Leaf, p. 269--The Rosette, p. 270--Tendrils, p. 271--Nature Influence--Inconsistent employment of Symbolic Elements, p. 272--Consistency in Growth--Branching, p. 273--Treatment and Employment of Leaves, p. 275--The start in Ornament, p. 276--Italian Renaissance Influence--Jacobean, p. 280--French Renaissance--Henry II, p. 281--Louis XIII, Louis XIV, Régence--Louis XV, p. 283--Rococo--Louis XVI, p. 284--Grinling Gibbons School of Carving--Adam Style, p. 285--Empire--System of the Acanthus Leaf, p. 286. VII Treatment in Design.....288 Natural Attraction, p. 288--Decorative Materials, p. 289--Justification of Treatment, p. 290--Undesirable Imitation, p. 291--Technical Considerations--Methods of Expression, p. 292--Treatment of Leaves, p. 293--Surface Interest--Painted Decoration, p. 294--Stencilled Work, p. 295--Mechanical Production--Printed and Woven Fabrics--Needlework--Appliqué, p. 296--Lace-Wood Inlay--Intarsia, p. 297--Veneer--Marquetry--“Boule” Work, p. 298--Mosaic, p. 299--Byzantine use of Marble--Book Decoration, p. 300--Bindings--Relief Work--Economic Result of Method--Desirable Treatment in Carving, p. 301--Backgrounds, p. 303--Reproduction Processes--Metal Repoussé, p. 304--Cast Metal, p. 306--Character of Cast Work, p. 307. VII Mythology and Symbolism.....310