Early Symbolic Ornament, p. 310--Customs, p. 311--Origin of Mythology--Nature Myths, p. 312--Light and Darkness--Melanesian Legend, p. 313--Darkness as a Devouring Monster--Season Myths, p. 314--Sun Myths--Belief in Natural Phenomena, p. 315--Greek and Roman Deities, p. 316--Scandinavian Mythology, p. 317--Rising and Setting Symbolised, p. 318--Winds Personified--Predestination, p. 319--The Fates--Propitiation and Sacrifice, p. 320--Early Burial Customs--Taboo--Roman Lares, p. 322--Mediæval Legend--Early Spiritual Belief, p. 323--Prehistoric Treatment of Epileptics--Prohibition, p. 324--Belief in Magical Qualities, p. 325--The Shirt of Nessus--Swords, p. 326--Invulnerability, p. 327--Belief in Numbers--The Muses, p. 328--Sacred Trees and Flowers, p. 329--Sacred Animals--Evangelist Symbols, p. 331--The Serpent--The Dragon, p. 332--Poetic License in Tradition, p. 333--Animals in Christian Art, p. 334--Association of Human and Animal Qualities--Totemism--Cannibalism, p. 336--The Sphinx--Assyrian Winged Monsters, p. 337--Pegasus--The Harpy--Sirens, p. 338--Pan--The Nymphs--The Centaur, p. 339--Symbolism of the Circle, p. 340--Symbols of the Trinity--The Wand, a Symbol of Authority--The Hand, p. 341--The Caduceus--The Thyrsus, p. 342--The Trident--The Cross, p. 343--The Pastoral Staff, p. 344--Symbols of Martyrdom--Symbolism of Gems and Colours, p. 345--Masks--Symbols of Time, p. 346--Secular Symbols--Trophies, p. 347--Heraldry--Interest and Meaning in Modern Art, p. 348. IX Ways and Means.....350 Perception, p. 350--Accepted Conventions, p. 351--Influence of Fashion--Harmonious Consistency, p. 352--Natural Suggestion--Colour Scheme, p. 353--Early Training--Nature Study, p. 355--Aspect and Attitude, p. 356--Treatment of Studies, p. 358--Drawings for Reproduction, p. 359--Opaque Colour--Method of Enlarging or Reducing Drawings, p. 360--Textile Designs, p. 361--Wall Papers, p. 362--Architectural Drawings--Structural Design, p. 363--Lucid Arrangement of Details, p. 364--Mathematical Equipment, p. 365--Use of the Ruling Pen--Proportional Compasses, p. 367--Tracings--Conclusion, p. 368. LIST OF ILLUSTRATIONS Sketch Design for Equestrian Statue, by E. A. RICKARDS, F.R.I.B.A. _Frontispiece_ ARCHITECTURE, HISTORIC No. Page Egyptian Temple, Section and Plan of 10 23 Temple, Entrance Façade 11 24 Capital from Philæ 12 24 Persian Capitals from Persepolis 16 27 Greek Doric Temple, The Parthenon 21 30 Ionic, The Erectheum 22 31 Corinthian, The Choragic Monument 23 32 Vase paintings of Doric and Ionic Orders 19 29