Dialogues of the DeadLyttelton, George Lyttelton, Baron
Philosophy
Dialogues of the Dead
Lyttelton, George Lyttelton, Baron
Dialogues, English -- Early works to 1800; Imaginary conversations
_Pope_.--The principal cause of my undertaking that task was zeal for the
honour of Shakespeare; and, if you knew all his beauties as well as I,
you would not wonder at this zeal. No other author had ever so copious,
so bold, so creative an imagination, with so perfect a knowledge of the
passions, the humours, and sentiments of mankind. He painted all
characters, from kings down to peasants, with equal truth and equal
force. If human nature were destroyed, and no monument were left of it
except his works, other beings might know what man was from those
writings.
_Boileau_.--You say he painted all characters, from kings down to
peasants, with equal truth and equal force. I can't deny that he did so;
but I wish he had not jumbled those characters together in the
composition of his pictures as he has frequently done.
_Pope_.--The strange mixture of tragedy, comedy, and farce in the same
play, nay, sometimes in the same scene, I acknowledge to be quite
inexcusable. But this was the taste of the times when Shakespeare wrote.
_Boileau_.--A great genius ought to guide, not servilely follow, the
taste of his contemporaries.
_Pope_.--Consider from how thick a darkness of barbarism the genius of
Shakespeare broke forth! What were the English, and what, let me ask
you, were the French dramatic performances, in the age when he nourished?
The advances he made towards the highest perfection, both of tragedy and
comedy, are amazing! In the principal points, in the power of exciting
terror and pity, or raising laughter in an audience, none yet has
excelled him, and very few have equalled.
_Boileau_.--Do you think that he was equal in comedy to Moliere?
_Pope_.--In comic force I do; but in the fine and delicate strokes of
satire, and what is called genteel comedy, he was greatly inferior to
that admirable writer. There is nothing in him to compare with the
_Misanthrope_, the _Ecole des Femmes_, or _Tartuffe_.
_Boileau_.--This, Mr. Pope, is a great deal for an Englishman to
acknowledge. A veneration for Shakespeare seems to be a part of your
national religion, and the only part in which even your men of sense are
fanatics.
_Pope_.--He who can read Shakespeare, and be cool enough for all the
accuracy of sober criticism, has more of reason than taste.
_Boileau_.--I join with you in admiring him as a prodigy of genius,
though I find the most shocking absurdities in his plays--absurdities
which no critic of my nation can pardon.
_Pope_.--We will be satisfied with your feeling the excellence of his
beauties. But you would admire him still more if you could see the chief
characters in all his test tragedies represented by an actor who appeared
on the stage a little before I left the world. He has shown the English
nation more excellencies in Shakespeare than the quickest wits could
discern, and has imprinted them on the heart with a livelier feeling than
the most sensible natures had ever experienced without his help.
Public-domain text, read in full here on John Shaqi.
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